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Volume 45, Number 3, Fall 2013

Table of Contents

Special Issue: The Work of Willa Cather: Creation, Design, and Reception

Guest Editor: Andrew Jewell, University of Nebraska-Lincoln


pp. 324-327 | DOI: 10.1353/sdn.2013.0012

I. Creation and Collaboration

The Standard Oil Treatment: Willa Cather, The Life of Mary Baker G. Eddy, and Early Twentieth Century Collaborative Authorship

pp. 328-348 | DOI: 10.1353/sdn.2013.0014

The Transatlantic Virtual Salon: Cather and the British

pp. 349-368 | DOI: 10.1353/sdn.2013.0016

“As the result of many solicitations”: Ferris Greenslet, Houghton Mifflin, and Cather’s Career

pp. 369-386 | DOI: 10.1353/sdn.2013.0021

“Dear Alfred”/“Dear Miss Cather”: Willa Cather and Alfred Knopf, 1920–1947

pp. 387-407 | DOI: 10.1353/sdn.2013.0023

Willa Cather, Edith Lewis, and Collaboration: The Southwestern Novels of the 1920s and Beyond

pp. 408-441 | DOI: 10.1353/sdn.2013.0015

Cather’s Editorial Shaping of Sapphira and the Slave Girl

pp. 442-459 | DOI: 10.1353/sdn.2013.0017

II. Design and Marketing

Possession and Publication: Willa Cather’s Struggle to Save My Ántonia

pp. 460-475 | DOI: 10.1353/sdn.2013.0019

Canonical in the 1930s: Willa Cather’s Death Comes for the Archbishop in the Modern Library Series

pp. 476-499 | DOI: 10.1353/sdn.2013.0022

Material Memory: Willa Cather, “My First Novels (there were two),” and The Colophon: A Book Collector’s Quarterly

pp. 500-518 | DOI: 10.1353/sdn.2013.0011

Speaking Volumes: Embodying Cather’s Works

pp. 519-537 | DOI: 10.1353/sdn.2013.0013

III. International Reception

Slowly, but Surely: Willa Cather’s Reception in France

pp. 538-558 | DOI: 10.1353/sdn.2013.0018

The Making of “Die Tochter der Prärie [Daughter of the Prairie]”: Willa Cather’s Fictions in Germany, 1926–1952

pp. 559-579 | DOI: 10.1353/sdn.2013.0020

Notes on Contributors

pp. 580-582 | DOI: 10.1353/sdn.2013.0046

Research Areas


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