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Browse Book and Journal Content on Project MUSE

Volume 44, Numbers 1, Spring 2012

Table of Contents


The Jamesian Oedipus and the Freudian Moses: Image, Word, The Later Style, and The Ambassadors

pp. 1-26 | DOI: 10.1353/sdn.2012.0019

Dorothy Canfield, Willa Cather, and the Uncertainties of Middlebrow and Highbrow

pp. 27-48 | DOI: 10.1353/sdn.2012.0003

When Hemingway Hated Paris: Divorce Proceedings, Contemplations of Suicide, and the Deleted Chapters of The Sun Also Rises

pp. 49-61 | DOI: 10.1353/sdn.2012.0017

From Blood-on-Snow to Boys-on-Sand: Perceval’s Mirror in Michel Tournier’s The Ogre

pp. 62-79 | DOI: 10.1353/sdn.2012.0027

“One Cannot Look at This” / “I Saw It”: Pat Barker’s Double Vision and the Ethics of Visuality

pp. 80-99 | DOI: 10.1353/sdn.2012.0007


Modernism, History, and the Novel

pp. 100-106 | DOI: 10.1353/sdn.2012.0011


Impure Worlds: The Institution of Literature in the Age of the Novel (review)

pp. 108-109 | DOI: 10.1353/sdn.2012.0015

Culture, Capital, and Representation (review)

pp. 110-111 | DOI: 10.1353/sdn.2012.0021

The Empire Inside: Indian Commodities in Victorian Domestic Novels (review)

pp. 112-114 | DOI: 10.1353/sdn.2012.0025

Gilbert and Gubar’s The Madwoman in the Attic After Thirty Years (review)

pp. 114-116 | DOI: 10.1353/sdn.2012.0000

A Body of Individuals: The Paradox of Community in Contemporary Fiction (review)

pp. 116-118 | DOI: 10.1353/sdn.2012.0005

Whipscars and Tattoos: The Last of the Mohicans, Moby-Dick, and the Maori (review)

pp. 118-120 | DOI: 10.1353/sdn.2012.0009

Twain in His Own Time: A Biographical Chronicle of His Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates (review)

pp. 120-122 | DOI: 10.1353/sdn.2012.0013

Leather-Stocking Redux; Or, Old Tales, New Essays (review)

pp. 122-124 | DOI: 10.1353/sdn.2012.0018

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