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In this Issue

Table of Contents

  1. The Phantasmal Past: Time, History, and the Recombinative Imagination
  2. Nicholas Watson
  3. pp. 1-37
  4. DOI: https://doi.org/10.1353/sac.2010.a402774
  5. restricted access
  1. Religious Practice in Chaucer's Prioress's Tale: Rabbit and/or Duck?
  2. Helen Barr
  3. pp. 39-65
  4. DOI: https://doi.org/10.1353/sac.2010.a402775
  5. restricted access
  1. The Wife of Bath's Marginal Authority
  2. Theresa Tinkle
  3. pp. 67-101
  4. DOI: https://doi.org/10.1353/sac.2010.a402776
  5. restricted access
  1. "It may nat be": Chaucer, Derrida, and the Impossibility of the Gift
  2. Kyle Mahowald
  3. pp. 129-150
  4. DOI: https://doi.org/10.1353/sac.2010.a402778
  5. restricted access
  1. Religion, Alchemy, and Nostalgic Idealism in Fragment VIII of the Canterbury Tales
  2. Jennifer L. Sisk
  3. pp. 151-177
  4. DOI: https://doi.org/10.1353/sac.2010.a402779
  5. restricted access
  1. The Ends of Excitement in Sir Gawain and the Green Knight: Teleology, Ethics, and the Death Drive
  2. Mark Miller
  3. pp. 215-256
  4. DOI: https://doi.org/10.1353/sac.2010.a402781
  5. restricted access
  1. Saint George, Islam, and Regional Audiences in Sir Gawain and the Green Knight
  2. Su Fang Ng, Kenneth Hodges
  3. pp. 257-294
  4. DOI: https://doi.org/10.1353/sac.2010.a402782
  5. restricted access
  1. The Historiography of the Dragon: Heraldic Violence in the Alliterative Morte Arthure
  2. Alex Mueller
  3. pp. 295-324
  4. DOI: https://doi.org/10.1353/sac.2010.a402783
  5. restricted access
  1. Vance Ramsey on Manly-Rickert
  2. Henry Ansgar Kelly
  3. pp. 327-335
  4. DOI: https://doi.org/10.1353/sac.2010.a402784
  5. restricted access
  1. Manly and Rickert and the Failure of Method
  2. A. S. G. Edwards
  3. pp. 337-344
  4. DOI: https://doi.org/10.1353/sac.2010.a402785
  5. restricted access
  1. "Learning, Taste and Judgment" in the Editorial Process: Vance Ramsey and Manly-Rickert
  2. Jill Mann
  3. pp. 345-355
  4. DOI: https://doi.org/10.1353/sac.2010.a402786
  5. restricted access
  1. Opportunity's Knock and Chaucerian Textual Criticism
  2. Tim William Machan
  3. pp. 357-363
  4. DOI: https://doi.org/10.1353/sac.2010.a402813
  5. restricted access
  1. "Maked na moore": Editing and Narrative
  2. Daniel Wakelin
  3. pp. 365-373
  4. DOI: https://doi.org/10.1353/sac.2010.a402788
  5. restricted access
  1. Should We Reedit the Canterbury Tales?
  2. Orietta Da Rold
  3. pp. 375-382
  4. DOI: https://doi.org/10.1353/sac.2010.a402789
  5. restricted access
  1. Idols in the East: European Representations of Islam and the Orient, 1100-1450 (review)
  2. Christine Chism
  3. pp. 383-386
  4. restricted access
  1. Against All England: Regional Identity and Cheshire Writing, 1195-1656 (review)
  2. Raluca L. Radulescu
  3. pp. 390-393
  4. restricted access
  1. American Chaucers (review)
  2. Thomas Prendergast
  3. pp. 393-395
  4. restricted access
  1. Medieval Film (review)
  2. Candace Barrington
  3. pp. 395-398
  4. restricted access
  1. French Romance of the Later Middle Ages: Gender, Morality, and Desire (review)
  2. Roberta Krueger
  3. pp. 398-402
  4. restricted access
  1. Design and Distribution of Late Medieval Manuscripts in England (review)
  2. Oliver Pickering
  3. pp. 402-405
  4. restricted access
  1. Abstractions of Evidence in the Study of Manuscripts and Early Printed Books (review)
  2. Orietta Da Rold
  3. pp. 405-408
  4. restricted access
  1. Constructing Chaucer: Author and Autofiction in the Critical Tradition (review)
  2. Steve Ellis
  3. pp. 411-414
  4. restricted access
  1. Comedy in Chaucer and Boccaccio (review)
  2. William T. Rossiter
  3. pp. 414-417
  4. restricted access
  1. Desiring Bodies: Ovidian Romance and the Cult of Form (review)
  2. Michael Calabrese
  3. pp. 417-420
  4. restricted access
  1. Looking Westward: Poetry, Landscape, and Politics in "Sir Gawain and the Green Knight" (review)
  2. Michael Bennett
  3. pp. 421-423
  4. restricted access
  1. "She, This in Blak": Vision, Truth, and Will in Geoffrey Chaucer's "Troilus and Criseyde" (review)
  2. Tison Pugh
  3. pp. 424-426
  4. restricted access
  1. Authorship and Publicity Before Print: Jean Gerson and the Transformation of Late Medieval Learning (review)
  2. Deborah Fraioli
  3. pp. 426-429
  4. restricted access
  1. Place, Space, and Landscape in Medieval Narrative (review)
  2. Robert W. Barrett Jr.
  3. pp. 429-432
  4. restricted access
  1. Performing the Middle Ages from "Beowulf " to "Othello" (review)
  2. Margaret Pappano
  3. pp. 432-435
  4. restricted access
  1. Langland's Early Modern Identities (review)
  2. Lawrence Warner
  3. pp. 435-438
  4. restricted access
  1. Chaucerian Aesthetics (review)
  2. Maura Nolan
  3. pp. 438-441
  4. restricted access
  1. Telling Images: Chaucer and the Imagery of Narrative (review)
  2. Richard K. Emmerson
  3. pp. 441-445
  4. restricted access
  1. From Aesop to Reynard: Beast Literature in Medieval Britain (review)
  2. Susan Crane
  3. pp. 445-448
  4. restricted access
  1. Kingship and Love in Scottish Poetry, 1424-1540 (review)
  2. R. James Goldstein
  3. pp. 448-451
  4. restricted access
  1. Translations of Authority in Medieval English Literature: Valuing the Vernacular (review)
  2. Mishtooni Bose
  3. pp. 451-454
  4. restricted access
  1. Geoffrey Chaucer and the Poetics of Disguise (review)
  2. K. P. Clarke
  3. pp. 454-457
  4. restricted access
  1. A Companion to Medieval Popular Romance (review)
  2. Laura Ashe
  3. pp. 457-459
  4. restricted access
  1. Images of Kingship in Chaucer and His Ricardian Contemporaries (review)
  2. Elliot Kendall
  3. pp. 460-462
  4. restricted access
  1. Lay Piety and Religious Discipline in Middle English Literature (review)
  2. Mary C. Erler
  3. pp. 462-465
  4. restricted access
  1. The Cambridge Companion to Medieval English Literature, 1100-1500 (review)
  2. Karen Gross
  3. pp. 465-469
  4. restricted access
  1. The Ancient Flame: Dante and the Poets (review)
  2. Rebecca S. Beal
  3. pp. 469-472
  4. restricted access
  1. An Annotated Chaucer Bibliography, 2008
  2. Mark Allen, Bege K. Bowers
  3. pp. 477-578
  4. restricted access
  1. Index
  2. pp. 579-585
  3. restricted access
  1. Where Chaucer Got His Pulpit: Audience and Intervisuality in the Troilus and Criseyde Frontispiece
  2. Joyce Coleman
  3. pp. 103-128
  4. DOI: https://doi.org/10.1353/sac.2010.a402777
  5. restricted access
  1. Books Received
  2. pp. 473-475
  3. restricted access

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