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Table of Contents

  1. Cross-Dressing and John Lyly's Gallathea
  2. Christopher Wixson
  3. pp. 241-256
  4. DOI: https://doi.org/10.1353/sel.2001.0023
  5. restricted access
  1. Casting Doubt in Marlowe's Doctor Faustus
  2. William M. Hamlin
  3. pp. 257-275
  4. DOI: https://doi.org/10.1353/sel.2001.0018
  5. restricted access
  1. As You Like It, Rosalynde, and Mutuality
  2. Nathaniel Strout
  3. pp. 277-295
  4. DOI: https://doi.org/10.1353/sel.2001.0022
  5. restricted access
  1. Questioning History in Cymbeline
  2. J. Clinton Crumley
  3. pp. 297-315
  4. DOI: https://doi.org/10.1353/sel.2001.0016
  5. restricted access
  1. Knowledge and Belief in The Winter's Tale
  2. Walter S. H. Lim
  3. pp. 317-334
  4. DOI: https://doi.org/10.1353/sel.2001.0019
  5. restricted access
  1. The Discourse of Prayer in The Tempest
  2. T. McAlindon
  3. pp. 335-355
  4. DOI: https://doi.org/10.1353/sel.2001.0020
  5. restricted access
  1. Rape and the Romanticization of Shakespeare's Miranda
  2. Jessica Slights
  3. pp. 357-379
  4. DOI: https://doi.org/10.1353/sel.2001.0021
  5. restricted access
  1. The Performing Heir in Jonson's Jacobean Masques
  2. Jean E. Graham
  3. pp. 381-398
  4. DOI: https://doi.org/10.1353/sel.2001.0017
  5. restricted access
  1. The Widow Hunt on the Tudor-Stuart Stage
  2. Ira Clark
  3. pp. 399-416
  4. DOI: https://doi.org/10.1353/sel.2001.0015
  5. restricted access
  1. Recent Studies in Tudor and Stuart Drama
  2. William C. Carroll
  3. pp. 417-455
  4. DOI: https://doi.org/10.1353/sel.2001.0014
  5. restricted access
  1. Books Received
  3. pp. 456-465
  4. DOI: https://doi.org/10.1353/sel.2001.0013
  5. restricted access