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Table of Contents

  1. “Heavenly Lineaments” and the Invisible Church in Foxe and Spenser
  2. Claire Falck
  3. pp. 1-28
  4. DOI: https://doi.org/10.1353/sel.2013.0003
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  1. The Precarious Poet in Colin Clouts Come Home Againe
  2. Kreg Segall
  3. pp. 31-51
  4. DOI: https://doi.org/10.1353/sel.2013.0005
  5. restricted access
  1. Homoerotic Desire and Renaissance Lyric Verse
  2. Rebecca Yearling
  3. pp. 53-71
  4. DOI: https://doi.org/10.1353/sel.2013.0007
  5. restricted access
  1. Spenser’s Mutabilitie and the Indeterminate Universe
  2. Sarah Powrie
  3. pp. 73-89
  4. DOI: https://doi.org/10.1353/sel.2013.0009
  5. restricted access
  1. Distortion, Aggression, and Sex in Mary Wroth’s Sonnets
  2. Paul J. Hecht
  3. pp. 91-115
  4. DOI: https://doi.org/10.1353/sel.2013.0000
  5. restricted access
  1. Milton Rewrites The Doctrine and Discipline of Divorce
  2. Thomas Kranidas
  3. pp. 117-135
  4. DOI: https://doi.org/10.1353/sel.2013.0001
  5. restricted access
  1. Narrating Originality in Paradise Lost
  2. Maura Josephine Smyth
  3. pp. 137-155
  4. DOI: https://doi.org/10.1353/sel.2013.0002
  5. restricted access
  1. Structures of Perception in the Similes of Paradise Lost
  2. Julia Staykova
  3. pp. 157-178
  4. DOI: https://doi.org/10.1353/sel.2013.0004
  5. restricted access
  1. Pious Fraud: Extralegal Heroism in Samson Agonistes
  2. Elizabeth Sauer
  3. pp. 179-196
  4. DOI: https://doi.org/10.1353/sel.2013.0006
  5. restricted access
  1. Recent Studies in the English Renaissance
  2. David Hawkes
  3. pp. 197-243
  4. DOI: https://doi.org/10.1353/sel.2013.0008
  5. restricted access
  1. Books Received
  3. pp. 244-253
  4. DOI: https://doi.org/10.1353/sel.2013.0010
  5. restricted access