- Contributors to Volume 42
Caroline Austin-Bolt recently completed her dissertation, “Invisible Hands: Women and the Question of Happiness in British Domestic Fiction, 1740–1859,” at the University of Texas, Dallas. She has a long-standing interest in the relationship between literary theory and craft, a topic she has studied both at Sarah Lawrence College while earning an MFA and at UCLA while earning a BA in British Literature.
Heidi Bostic is Professor of French and Chair of the Department of Modern Foreign Languages at Baylor University. She is the author of The Fiction of Enlightenment: Women of Reason in the French Eighteenth Century (The University of Delaware Press, 2010). She has also published articles on Françoise de Graffigny, Marie Jeanne Riccoboni, and Isabelle de Charrière. Beyond eighteenth-century studies, her research interests include narrative identity and feminist theory, particularly the thought of French philosopher Luce Irigaray.
Kimberly Chrisman-Campbell is an art historian specializing in eighteenth-century fashion and textiles. She has worked as a curator, consultant, and educator for numerous museums and universities, including the Los Angeles County Museum of Art; The Huntington Library, Art Collections, and Botanical Gardens; The J. Paul Getty Museum; the Portland Art Museum; De Montfort University; the Musée Galliera; the University of California; and the Fashion Institute of Design and Merchandising. She is a frequent contributor to books, exhibition catalogs, scholarly journals, and magazines. Her recent co-authored publications include Fashioning Fashion: European Dress in Detail, 1700–1915 (Prestel, 2010), Paris: Life and Luxury in the Eighteenth Century (J. Paul Getty Museum, 2011), and Seeing Satire in the Eighteenth Century (SVEC, 2013).
Edmund J. Goehring is Associate Professor of Music History at the University of Western Ontario. He has written primarily on the reception of Mozart opera and issues in historiography, criticism, and aesthetics rising therefrom. His publications have appeared in The Cambridge Opera Journal, Eighteenth Century Studies, Eighteenth-Century Music, and Publications of the Modern Language Association.
Ana Elena González-Treviño is Professor of seventeenth- and eighteenth-century English literature at the National Autonomous University of Mexico (UNAM). She specializes in Thomas Traherne and seventeenth-century religious [End Page 321] discourse. She has published articles on several Restoration and eighteenth-century authors, as well as a book on representation and critical theory. She is currently writing a study about the cultural history of disguise.
Kate C. Hamilton is a Ph.D. Candidate in Literary and Cultural Studies at Carnegie Mellon University, where she studies with Kristina Straub. Recent articles include “London and the Female Bildungsroman: Frances Burney’s Evelina, Cecilia, and The Witlings” in The Burney Journal vol. 11 (2011) and a review for The Eighteenth-Century Intelligencer (March 2013).
Christopher M. S. Johns is Norman and Roselea Goldberg Professor of History of Art at Vanderbilt University. He has published two books and numerous articles on a wide variety of topics from Anthony van Dyck’s portraits for the court of Charles I to Antonio Canova’s sculptures for the Empress Josephine. His new book, The Visual Culture of Catholic Enlightenment, is to be published by Penn State University Press and another book, China and the Church: Chinoiserie in Global Context, is forthcoming from the University of Washington Press. Johns has received fellowships from the University of Cambridge, the American Council of Learned Societies, the Fulbright Foundation, and the Center for Advanced Study in Visual Arts. He is a Fellow and former Resident in History of Art at the American Academy in Rome.
Kristina Kleutghen is Assistant Professor of Art History and Archaeology at Washington University in St. Louis. A historian of Chinese art, she focuses on the Qing court and the Sino-European exchange of art and science. She is currently completing her first book, Imperial Illusions: Crossing Pictorial Boundaries in Late Imperial China, which examines the monumental illusionistic and perspectival paintings produced collaboratively by Chinese and European painters for the eighteenth-century court.
Jeffrey Leichman is Assistant Professor of French Studies at Louisiana State University. His research focuses on French drama and performance in the eighteenth century, as well as French-language theatrical literature and theory in the modern age. Other articles include “Acting Lessons...