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Volume 40, 2011

Table of Contents

Editor’s Note

p. vii | DOI: 10.1353/sec.2011.0016

The King, the Trickster, and the Gorgon: Jean-Marc Nattier and the Illusions of Rococo Art

pp. 1-26 | DOI: 10.1353/sec.2011.0001

Portrait of a Marriage: John and Amelia Opie and the Sister Arts

pp. 27-62 | DOI: 10.1353/sec.2011.0004

The Power of Images in Goethe’s Elective Affinities

pp. 63-81 | DOI: 10.1353/sec.2011.0007

From the Playhouse to the Page: Visual Sources for Watteau’s Theatrical Universe

pp. 83-101 | DOI: 10.1353/sec.2011.0010

The Hissing of Jean-Pierre Pagin: Diderot’s Violinist Meets the Cabal at the Concert Spirituel

pp. 103-132 | DOI: 10.1353/sec.2011.0013

Diversionary Tactics and Coercive Acts: John Burgoyne’s Fête Champêtre

pp. 133-155 | DOI: 10.1353/sec.2011.0015

“Friendship like mine / Throws all Respects behind it”: Male Companionship and the Cult of Frederick, Prince of Wales

pp. 157-178 | DOI: 10.1353/sec.2011.0000

“Putting to Hazard a Certainty”: Lotteries and the Romance of Gambling in Eighteenth-Century England

pp. 179-200 | DOI: 10.1353/sec.2011.0003

“Where Fuming Trees Refresh the Thirsty Air”: The World of Eco-Georgic

pp. 201-218 | DOI: 10.1353/sec.2011.0006

Threading the Needle: Problems in Reading Denis Diderot’s La Lettre sur les aveugles à l’usage de ceux qui voient

pp. 219-245 | DOI: 10.1353/sec.2011.0009

Louis-Sébastien Mercier: Prophet, Abolitionist, Colonialist

pp. 247-273 | DOI: 10.1353/sec.2011.0012

Contributors to Volume 40

pp. 275-277 | DOI: 10.1353/sec.2011.0014

ASECS Executive Board 2010–2011

p. 278 | DOI: 10.1353/sec.2011.0017

American Society for Eighteenth-Century Studies: Patron Members 2010–2011

pp. 279-280 | DOI: 10.1353/sec.2011.0002

Sponsoring Members 2010–2011

p. 280 | DOI: 10.1353/sec.2011.0005

Institutional Members 2010–11

p. 281 | DOI: 10.1353/sec.2011.0008

Index

pp. 282-290 | DOI: 10.1353/sec.2011.0011

Research Areas

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