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Table of Contents

  1. "The Polishing Attrition": Reading, Writing, and Renunciation in the Work of Susan Warner
  2. Gillian Silverman
  3. pp. 3-28
  4. DOI: https://doi.org/10.1353/saf.2005.0010
  5. restricted access
  1. "A Merely Pictorial Subject": The Turn of the Screw
  2. Adam Sonstegard
  3. pp. 59-85
  4. DOI: https://doi.org/10.1353/saf.2005.0016
  5. restricted access
  1. "Raceless" Writing and Difference: Ann Petry's Country Place and the African-American Literary Canon
  2. Emily Bernard
  3. pp. 87-117
  4. DOI: https://doi.org/10.1353/saf.2005.0000
  5. restricted access
  1. Anti-Catholicism and Nineteenth-Century Fiction (review)
  2. Caroline Levander
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/saf.2005.0003
  5. restricted access
  1. Transamerican Literary Relations and the Nineteenth-Century Public Sphere (review)
  2. Kirsten Silva Gruesz
  3. pp. 120-122
  4. DOI: https://doi.org/10.1353/saf.2005.0006
  5. restricted access
  1. Facing America: Iconography and the Civil War (review)
  2. Christopher Diller
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/saf.2005.0009
  5. restricted access
  1. Canons by Consensus: Critical Trends and American Literary Anthologies (review)
  2. Michael Ryan
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/saf.2005.0012
  5. restricted access
  1. Authors Inc.: Literary Celebrity in the Modern United States, 1880-1980 (review)
  2. Amy Vondrak
  3. pp. 126-128
  4. DOI: https://doi.org/10.1353/saf.2005.0015
  5. restricted access