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Browse Book and Journal Content on Project MUSE

Volume 43, Number 1, Fall 2010

Table of Contents


Fear and Desire: Regional Aesthetics and Colonial Desire in Kate Chopin's Portrayals of the Tragic Mulatta Stereotype

pp. 1-22 | DOI: 10.1353/slj.2010.0000

"The Faithful Gravedigger": The Role of "Innocent" Wash Jones and the Invisible "White Trash" in Faulkner's Absalom, Absalom!

pp. 23-38 | DOI: 10.1353/slj.2010.0002

What's Eating Anthony Burns? Dismembering the Bodies That Matter in Tennessee Williams's "Desire and the Black Masseur"

pp. 39-58 | DOI: 10.1353/slj.2010.0004

A Patriotic Deus ex Machina in Flannery O'Connor's "The Displaced Person"

pp. 59-74 | DOI: 10.1353/slj.2010.0006

More Than One Way to (Mis)Read a Mockingbird

pp. 75-91 | DOI: 10.1353/slj.2010.0008

Quite Contrary: The Cultivation of Self in Mary Mebane's Autobiography

pp. 92-108 | DOI: 10.1353/slj.2010.0010

The Plain Style in Southern Poetry

pp. 109-124 | DOI: 10.1353/slj.2010.0012

Randall Kenan Beyond the Final Frontier: Science Fiction, Superheroes, and the South in A Visitation of Spirits

pp. 125-150 | DOI: 10.1353/slj.2010.0001


Two Takes on Faulkner's "Postage Stamp of Native Soil"

pp. 151-154 | DOI: 10.1353/slj.2010.0003

Before the War, the Rumors

pp. 155-158 | DOI: 10.1353/slj.2010.0005

Owning Up: Revisiting Property, Education, and Race in the South

pp. 159-163 | DOI: 10.1353/slj.2010.0007

Interstitial Spaces and the Search for Identity in the "Other" South

pp. 164-167 | DOI: 10.1353/slj.2010.0009



pp. 168-170 | DOI: 10.1353/slj.2010.0011

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