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Browse Book and Journal Content on Project MUSE

Volume 5, Number 3, Fall 1999

Table of Contents

From: Southern Cultures

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Front Porch

pp. 1-6 | DOI: 10.1353/scu.1999.0067


A Love Letter to Thomas Wolfe

pp. 7-30 | DOI: 10.1353/scu.1999.0080

Goat Cart Sam a.k.a. Porgy, an Icon of a Sanitized South

pp. 31-53 | DOI: 10.1353/scu.1999.0009

Sister Act: Sorority Rush as Feminine Performance

pp. 54-73 | DOI: 10.1353/scu.1999.0024


Light and Air The Photography of Bayard Wootten (review)

pp. 74-78 | DOI: 10.1353/scu.1999.0038

Shout Because You're Free The African American Ring Shout Tradition in Coastal Georgia (review)

pp. 78-79 | DOI: 10.1353/scu.1999.0051

Louisiana Sojourns Travelers' Tales and Literary Journeys (review)

pp. 80-83 | DOI: 10.1353/scu.1999.0063

Robert Worth Bingham and the Southern Mystique (review)

pp. 82-84 | DOI: 10.1353/scu.1999.0075

My Life and an Era The Autobiography of Buck Colbert Franklin (review)

pp. 84-87 | DOI: 10.1353/scu.1999.0005

Imagining Miami Ethnic Politics in a Postmodern World (review)

pp. 87-89 | DOI: 10.1353/scu.1999.0019

Faulkner's World The Photographs of Martin J. Dain (review)

pp. 90-91 | DOI: 10.1353/scu.1999.0034

Kentucky Old-Time Banjo, and: Morgan Sexton Shady Grove (review)

p. 92 | DOI: 10.1353/scu.1999.0047

Doyle Lawson and Quicksilver The Original Band, and: G. B. Grayson and Henry Whitter The Recordings of Grayson & Whitter (review)

p. 93 | DOI: 10.1353/scu.1999.0060

Boozoo Chavis and the Magic Sounds Who Stole My Monkey? (review)

p. 94 | DOI: 10.1353/scu.1999.0071

Caribbean Sampler (review)

p. 94 | DOI: 10.1353/scu.1999.0002

Lydia Mendoza Vida Mía (review)

p. 95 | DOI: 10.1353/scu.1999.0013


What's in a Name?

pp. 96-97 | DOI: 10.1353/scu.1999.0028

Not Forgotten

Grave Matters

pp. 98-102 | DOI: 10.1353/scu.1999.0042

"How the negros [sic] became McCaslins too...": A New Faulkner Letter

pp. 103-108 | DOI: 10.1353/scu.1999.0083

About the Contributors

p. 109 | DOI: 10.1353/scu.1999.0054

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