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Browse Book and Journal Content on Project MUSE

Volume 17, Number 4, Winter 2011

Table of Contents

Front Porch

Front Porch

pp. 1-5 | DOI: 10.1353/scu.2011.0065

Boss Jocks: How Corrupt Radio Practices Helped Make Jacksonville One of the Great Music Cities

pp. 6-23 | DOI: 10.1353/scu.2011.0055

Backstage Stories: Wonders, Relics, and a Beer Fridge

pp. 24-35 | DOI: 10.1353/scu.2011.0057


Bobby Rush: “Blues Singer–Plus”

pp. 36-43 | DOI: 10.1353/scu.2011.0059

“Redneck Woman” and the Gendered Poetics of Class Rebellion

pp. 44-70 | DOI: 10.1353/scu.2011.0061

For the Records: How African American Consumers and Music Retailers Created Commercial Public Space in the 1960s and 1970s South

pp. 71-90 | DOI: 10.1353/scu.2011.0063

“Country Music Is Wherever the Soul of a Country Music Fan Is”: Opryland U.S.A. and the Importance of Home in Country Music

pp. 92-111 | DOI: 10.1353/scu.2011.0064

Mason-Dixon Lines

Poem with a Refrain from Charley Patton

p. 112 | DOI: 10.1353/scu.2011.0066

Book Review

Johnny Cash and the Paradox of American Identity (review)

pp. 113-115 | DOI: 10.1353/scu.2011.0056

Not Forgotten

The KISS Letter: An Encounter with Elvis

pp. 116-120 | DOI: 10.1353/scu.2011.0058

The Music CD

Loving, Leaving, Liquor, and the Lord: Songs in the Southern Vernacular

p. 121 | DOI: 10.1353/scu.2011.0060

About the Contributors

p. 122 | DOI: 10.1353/scu.2011.0062

Research Areas


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