Notes on Contributors
Buy Issue for $25 at JHUP- Notes on Contributors
Pascal Bruckner is the author of important works including Tears of the White Man, The Paradox of Love, and a recent autobiography entitled Un bon fils (A Good Son). He has contributed essays and editorials to the New York Times, The New Republic, the San Francisco Chronicle, Dissent, and has recently been featured in the Chronicle of Higher Education.
Julie Goodspeed-Chadwick is an Associate Professor of English and the Director of the Office of Student Research at Indiana University-Purdue University Columbus (IUPUC). She is the author of the book Modernist Women Writers and War: Trauma and the Female Body in Djuna Barnes, H.D., and Gertrude Stein (Baton Rouge: Louisiana State University Press, 2011). Her specializations include American twentieth-century literature, women and literature, transatlantic modernism, identity politics, and trauma studies.
Mary Byrd Kelly is a Lecturer in the Department of French and Italian at the University of Kansas. She has translated works by contemporary French thinkers and scholars, the most recent being her co-translation, with Ralph Schoolcraft, of Christian Delage’s Caught on Camera: Film in the Courtroom from the Nuremberg Trials to the Trials of the Khmer Rouge (Philadelphia, University of Pennsylvania Press, 2013).
Donald Reid is Professor of History at the University of North Carolina at Chapel Hill. He is the author of several works on the history of French labor and on the memory of the French Resistance. He is completing books on the libertarian communist Daniel Guérin, and on the Lip workers movement. A translation of his book on the sewers and sewermen of Paris will appear with the Presses Universitaires de Rennes in 2014.
Dan Walden is an Assistant Professor of early American literature at Baylor University. His primary research focus is on the intersection of maritime and terrestrial cultural worlds, and his work has appeared in Early American Literature, The Edgar Allan Poe Review, and Atlantic Studies, among others. His current project focuses on the significance of coastscapes in early American literature.
Galen Wilson earned his PhD in English at Texas A&M University in 2014. His dissertation, “Screening Insurrection: The Containment of Working-Class Rebellion in New Deal Era Hollywood Cinema,” analyzes Hollywood’s representation of working-class collective action in the 1930s and 1940s. [End Page 80]
