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  • Contributors

Katherine Bootle Attie is a 2012–13 National Endowment for the Humanities / Folger Shakespeare Library Long-Term Fellow. Her essays have appeared or are forthcoming in ELH, Modern Philology, and Studies in English Literature 1500–1900. She is currently writing a book entitled Shakespeare’s Political Aesthetic.

Sean Benson is Associate Professor of English at the University of Dubuque and president of the South-Central Renaissance Conference. He is the author of Shakespearean Resurrection (2009) and Shakespeare, “Othello,” and Domestic Tragedy (2012). His essay, “‘Like monsters of the deep’: Transworld Depravity and King Lear,” is forthcoming in Philosophy and Literature.

John Burrows is Emeritus Professor of English at the University of Newcastle, Australia, and was Foundation Director of its Centre for Literary and Linguistic Computing. He has published and lectured extensively on computational stylistics for almost thirty years. In 2001, he received the Roberto Busa Award for his contributions to digital humanities.

Ann C. Christensen is Associate Professor of English at the University of Houston. Her most recent scholarly activity includes an article on Marlowe’s Dido, Queen of Carthage forthcoming in the Marlowe Studies Journal and a plenary talk on “Feminist Theory, Early Modernity, and the Undergraduate Classroom” at the symposium Attending to Women in Early Modern Europe (University of Wisconsin, Milwaukee, June 2012).

Margreta de Grazia is the Rosenberg Chair in the Humanities and Professor of English at the University of Pennsylvania. She is the author of Shakespeare Verbatim (1991) and “Hamlet” Without Hamlet (2007). She coedited Subject and Object in Renaissance Culture (1996) with Maureen Quilligan and Peter Stallybrass, and the Cambridge Companion to Shakespeare (2001) and The New Cambridge Companion to Shakespeare (2010), both with Stanley Wells.

Jean E. Feerick is Assistant Professor of English at Brown University. She is the author of Strangers in Blood: Relocating Race in the Renaissance (Toronto, 2010) and coeditor with Vin Nardizzi of The Indistinct Human in Renaissance [End Page 462] Literature (2012). Her essays have appeared in journals such as Shakespeare Studies, Early Modern Literary Studies, English Literary Renaissance, Renaissance Drama, and South Central Review.

Peter Holland is McMeel Family Professor in Shakespeare Studies in the Department of Film, Television, and Theatre at the University of Notre Dame. His edition of Coriolanus for the Arden third series is currently in press.

Mark Houlahan teaches Shakespeare and critical theory at the University of Waikato in New Zealand. Current projects include editions of Twelfth Night (coedited with David Carnegie) for Broadview and Internet Shakespeare Editions, Selimus for the Queen’s Men Editions, a book on Shakespeare’s stories, and an essay collection, Steampunks and Times Transshifters: Genres, Histories, Narratives.

Elizabeth Zeman Kolkovich is Assistant Professor of English at Ohio State University, where she teaches Shakespeare and Renaissance literature at the Mansfield campus. Her work on Elizabeth Russell’s 1592 entertainment at Bisham was recently published in English Literary Renaissance, and she has essays forthcoming on female masquers in Middleton’s Women Beware Women and on printed royal pageantry. She is currently completing a book on Elizabethan country-house entertainment in performance and print.

Barbara A. Mowat is editor (with Paul Werstine) of the Folger Library Shakespeare Editions, Director of Research Emerita at the Folger Shakespeare Library, and author of many essays on editing Shakespeare’s texts.

Lois Potter is Ned B. Allen Professor Emerita at the University of Delaware. She has edited The Two Noble Kinsmen for the Arden Shakespeare and written monographs on Twelfth Night and Othello for the University of Manchester’s Shakespeare in Performance series. Her most recent publication is The Life of William Shakespeare (2012).

David Riggs’s publications include Ben Jonson: A Life (1989) and The World of Christopher Marlowe (2004). He is the Mark Pigott OBE Professor in the School of Humanities and Sciences Emeritus at Stanford University.

Philip Schwyzer is Professor of Renaissance Literature at the University of Exeter. He is the author of Archaeologies of English Renaissance Literature (2007) and Literature, Nationalism, and Memory in Early Modern England and Wales (2004). He is currently completing a book entitled Shakespeare and the Remains of Richard III. [End Page 463]

Anita Gilman Sherman is Associate Professor of Literature at American University in Washington, DC...

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