Contributors
- Contributors
Bradin Cormack is Associate Professor of English and Director of the Nicholson Center for British Studies at the University of Chicago. He is author of A Power to Do Justice: Jurisdiction, English Literature, and the Rise of Common Law, 1509-1625 (2007), coauthor of Book Use, Book Theory: 1500-1700 (2005), and coeditor of The Forms of Renaissance Thought (2008) and Shakespeare and the Law (forthcoming). He is writing a book on Shakespeare's Sonnets.
Karen Cunningham is a senior lecturer in early modern drama and literature at the University of California, Los Angeles. She is the author of Imaginary Betrayals: Subjectivity and the Discourses of Treason in Early Modern England (2002) and coeditor with Constance Jordan of The Law in Shakespeare (2007; paper, 2010). She is currently working on women and law in Shakespeare.
Margreta de Grazia is the Sheli Z. and Burt X. Rosenberg Chair in the Humanities and Professor of English at the University of Pennsylvania. She is the author of Shakespeare Verbatim (1991) and "Hamlet" without Hamlet (2007). She also coedited Subject and Object in Renaissance Culture (1996) with Maureen Quilligan and Peter Stallybrass, and The Cambridge Companion to Shakespeare (2001) and The New Cambridge Companion to Shakespeare (2010), both with Stanley Wells.
Susan Frye is Professor of English at the University of Wyoming. Her interests include Elizabeth I, Shakespeare, Spenser, Wroth, performance, and material culture, and she is the author of Pens and Needles: Women's Textualities in Early Modern England (2010). She is currently working on a reassessment of Mary Queen of Scots.
Peter Kirwan is Teaching Associate in Shakespeare and Early Modern Drama at the University of Nottingham. He is associate editor of a forthcoming collection of disputed and collaborative Shakespeare plays, and he has published on reviewing theory, contemporary performance, and Shakespearean stage history. His current research interests include pedagogy, digital Shakespeares, and early modern book culture. [End Page 626]
Yu Jin Ko is Professor of English at Wellesley College. He is the author of Mutability and Division on Shakespeare's Stage (2004) and the coeditor of Shakespeare's Sense of Character: On the Page and From the Stage (forthcoming, 2012).
Ruru Li, senior lecturer in Chinese Studies at the University of Leeds, has written extensively on Shakespeare performance in China, including Shashibiya: Staging Shakespeare in China (2003), and on Chinese theater, both traditional and modern. A chapter in her recent book, The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World (2010), deals with the production of Shakespeare in Taiwan.
Kristen Poole is a professor in the English Department at the University of Delaware. Her most recent book is Supernatural Environments in Shakespeare's England: Spaces of Demonism, Divinity, and Drama (2011).
Tiffany Stern is Professor of Early Modern Drama at Oxford University. Her monographs are Rehearsal from Shakespeare to Sheridan (2000), Making Shakespeare: The Pressures of Stage and Page (2004), Shakespeare in Parts (2007, cowritten with Simon Palfrey), and Documents of Performance in Early Modern England (2009).
Robert Tierney is associate professor of Japanese literature in the departments of East Asian Languages and Cultures and Comparative World literatures at the University of Illinois at Urbana-Champaign. His recent publications include Tropics of Savagery: the Culture of Japanese Empire in Comparative Frame (2010). He is currently researching the history of Japanese adaptations of Shakespeare and Japan's early anti-imperialist movement.
Henry S. Turner is Associate Professor in the Department of English at Rutgers University, New Brunswick, where he specializes in Renaissance drama, the history of science, and the history of ideas more generally.
H. R. Woudhuysen is Dean of Arts and Humanities and Professor of English at University College London. He is one of the general editors of the third series of the Arden Shakespeare and has published editions of Love's Labor's Lost and the Poems (with Katherine Duncan-Jones) for the series. With Michael F. Suarez, he recently edited The Oxford Companion to the Book. [End Page 627]
