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In this Issue

Table of Contents

  1. Shakespeare’s Sad Tale for Winter: Hamlet and the Tradition of Fireside Ghost Stories
  2. Catherine Belsey
  3. pp. 1-27
  4. DOI: https://doi.org/10.1353/shq.0.0136
  5. restricted access
  1. A Tale of Three Hamlets or Repetition and Revenge
  2. Marjorie Garber
  3. pp. 28-55
  4. DOI: https://doi.org/10.1353/shq.0.0122
  5. restricted access
  1. Questions of Identity in Renaissance Drama: New Historicism Meets Old Philology
  2. Sylvia Adamson
  3. pp. 56-77
  4. DOI: https://doi.org/10.1353/shq.0.0125
  5. restricted access
  1. Rorschach Tempest or The Tempest of William S. Performed by Flies on the Erection of a Dreaming Hyena
  2. Teddy Jefferson
  3. pp. 78-107
  4. DOI: https://doi.org/10.1353/shq.0.0128
  5. restricted access
  1. Cape of Storms: The Baxter Theatre Centre–RSC Tempest, 2009
  2. Anston Bosman
  3. pp. 108-117
  4. DOI: https://doi.org/10.1353/shq.0.0131
  5. restricted access
  1. Class and Society in Shakespeare: A Dictionary (review)
  2. Crystal Bartolovich
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/shq.0.0121
  5. restricted access
  1. Godless Shakespeare, and: To Be or Not To Be, and: Shakespeare Thinking, and: Shakespeare Inside: The Bard behind Bars (review)
  2. Jesse M. Lander
  3. pp. 120-124
  4. DOI: https://doi.org/10.1353/shq.0.0124
  5. restricted access
  1. Shakespearean Maternities: Crises of Conception in Early Modern England (review)
  2. Mary Ellen Lamb
  3. pp. 125-128
  4. DOI: https://doi.org/10.1353/shq.0.0127
  5. restricted access
  1. Shakespeare’s Women: Performance and Conception (review)
  2. Phyllis Rackin
  3. pp. 128-132
  4. DOI: https://doi.org/10.1353/shq.0.0130
  5. restricted access
  1. Shakespeare, the Earl, and the Jesuit (review)
  2. F. W. Brownlow
  3. pp. 132-134
  4. DOI: https://doi.org/10.1353/shq.0.0132
  5. restricted access
  1. Shakespeare and the Nobility: The Negotiation of Lineage (review)
  2. Paul E. J. Hammer
  3. pp. 134-136
  4. DOI: https://doi.org/10.1353/shq.0.0134
  5. restricted access
  1. Shakespeare and the Mismeasure of Renaissance Man (review)
  2. Joshua Scodel
  3. pp. 136-138
  4. DOI: https://doi.org/10.1353/shq.0.0137
  5. restricted access
  1. Unto the Breach: Martial Formations, Historical Trauma, and the Early Modern Stage (review)
  2. Heather Hirschfeld
  3. pp. 138-141
  4. DOI: https://doi.org/10.1353/shq.0.0123
  5. restricted access
  1. Shakespeare and Garrick (review)
  2. Stuart Sherman
  3. pp. 141-145
  4. DOI: https://doi.org/10.1353/shq.0.0126
  5. restricted access
  1. Shakespeare’s World / World Shakespeares: The Selected Proceedings of the International Shakespeare Association World Congress, Brisbane, 2006 (review)
  2. Joan Ozark Holmer
  3. pp. 145-149
  4. DOI: https://doi.org/10.1353/shq.0.0129
  5. restricted access
  1. Authors’ Correction
  2. Zachary Lesser, Peter Stallybrass
  3. p. 150
  4. DOI: https://doi.org/10.1353/shq.0.0133
  5. restricted access
  1. Contributors
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/shq.0.0135
  5. restricted access