Volume 60, Number 4, Winter 2009

Table of Contents

Harry and Amurath

pp. 399-424 | DOI: 10.1353/shq.0.0111

Benedict S. Robinson

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Positions

“To throw out our eyes for brave Othello”: Shakespeare and Aesthetic Ideology

pp. 425-447 | DOI: 10.1353/shq.0.0118

Christopher Pye

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Shakespeare’s Citizen-Subject: Distracting the Gaze, Contracting the City: A Response to Christopher Pye

pp. 448-453 | DOI: 10.1353/shq.0.0120

Julia Reinhard Lupton

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Theory “After Theory”: Christopher Pye’s Reading of “Othello”

pp. 453-459 | DOI: 10.1353/shq.0.0119

Hugh Grady

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Note

William Shakespeare, “Our Roscius”

pp. 460-469 | DOI: 10.1353/shq.0.0097

Alan H. Nelson, Paul H. Altrocchi

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Shakespeare Performed

Speaking with the Dead: The RSC History Cycle, 2007–8

pp. 470-480 | DOI: 10.1353/shq.0.0100

Lois Potter

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Book Reviews

The First Quarto of Romeo and Juliet (review)

pp. 481-483 | DOI: 10.1353/shq.0.0102

Jay L. Halio

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Shakespeare Found! A Life Portrait at Last: Portraits, Poet, Patron, Poems (review)

pp. 483-487 | DOI: 10.1353/shq.0.0106

Robert Bearman

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Shakespeare’s Ideas: More Things in Heaven and Earth, and: Soul of the Age: A Biography of the Mind of William Shakespeare (review)

pp. 487-493 | DOI: 10.1353/shq.0.0099

R. A. Foakes

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Shakespeare, “A Lover’s Complaint,” and John Davies of Hereford (review)

pp. 493-497 | DOI: 10.1353/shq.0.0112

John Jowett

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The Cambridge Companion to Shakespeare’s Poetry (review)

pp. 497-499 | DOI: 10.1353/shq.0.0109

Colin Burrow

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Shakespearean Metaphysics (review)

pp. 499-502 | DOI: 10.1353/shq.0.0113

Andrew Cutrofello

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Shakespeare’s Letters (review)

pp. 502-504 | DOI: 10.1353/shq.0.0117

Juliet Fleming

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Shakespeare’s Late Work, and: The Staging of Romance in Late Shakespeare: Text and Theatrical Technique (review)

pp. 504-507 | DOI: 10.1353/shq.0.0098

David McCandless

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The Key of Green: Passion and Perception in Renaissance Culture (review)

pp. 507-510 | DOI: 10.1353/shq.0.0105

F. Elizabeth Hart

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Vulgar Eloquence: On the Renaissance Invention of English Literature (review)

pp. 510-513 | DOI: 10.1353/shq.0.0116

Robert Matz

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Shakespeare’s Companies: William Shakespeare’s Early Career and the Acting Companies, 1577–1594 (review)

pp. 513-515 | DOI: 10.1353/shq.0.0107

Barbara D. Palmer

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Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre (review)

pp. 515-518 | DOI: 10.1353/shq.0.0108

Robert Hornback

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The Routledge Companion to Directors’ Shakespeare, and : Shakespeare’s Globe: A Theatrical Experiment (review)

pp. 518-523 | DOI: 10.1353/shq.0.0101

Paul Menzer

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Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare Adaptations from 1989 into the New Millennium (review)

pp. 524-526 | DOI: 10.1353/shq.0.0104

Laurie E. Osborne

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Shakespeare Re-Dressed: Cross-Gender Casting in Contemporary Performance, and: Shakespearean Performance: New Studies (review)

pp. 526-528 | DOI: 10.1353/shq.0.0110

David Roberts

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Contributors

Contributors

pp. 529-532 | DOI: 10.1353/shq.0.0114

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