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In this Issue

Table of Contents

  1. "Painting of a sorrow": Visual Culture and the Performance of Stasis in David Garrick's Hamlet
  2. Todd Andrew Borlik
  3. pp. 3-31
  4. DOI: https://doi.org/10.1353/shb.2007.0001
  5. restricted access
  1. Maclise and Macready: Collaborating Illustrators of Hamlet
  2. Frank Nicholas Clary
  3. pp. 33-59
  4. DOI: https://doi.org/10.1353/shb.2007.0003
  5. restricted access
  1. "Lose the name of action": Stillness in Post-1989 Romanian Hamlets
  2. Nicoleta Cinpoeş
  3. pp. 61-85
  4. DOI: https://doi.org/10.1353/shb.2007.0002
  5. restricted access
  1. Shakespeare in Russia: King Lear at Leo Dodin's Theatre of Europe
  2. Vitaliy Eyber
  3. pp. 87-94
  4. DOI: https://doi.org/10.1353/shb.2007.0008
  5. restricted access
  1. The Changeling, and: Twelfth Night (review)
  2. Paul Menzer
  3. pp. 94-100
  4. DOI: https://doi.org/10.1353/shb.2007.0018
  5. restricted access
  1. Twelfth Night (review)
  2. Peter T. Donahue
  3. pp. 100-104
  4. DOI: https://doi.org/10.1353/shb.2007.0007
  5. restricted access
  1. Twelfth Night (review)
  2. R. H. McKeown
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/shb.2007.0016
  5. restricted access
  1. Much Ado About Nothing (review)
  2. Justin Shaltz
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/shb.2007.0019
  5. restricted access
  1. Coriolanus (review)
  2. Alan Corrigan
  3. pp. 108-112
  4. DOI: https://doi.org/10.1353/shb.2007.0005
  5. restricted access
  1. The Duchess of Malfi (review)
  2. Jenn Stephenson
  3. pp. 112-115
  4. DOI: https://doi.org/10.1353/shb.2007.0020
  5. restricted access
  1. Henry IV, Part One (review)
  2. R. H. McKeown
  3. pp. 116-117
  4. DOI: https://doi.org/10.1353/shb.2007.0017
  5. restricted access
  1. Henry IV, Parts 1 and 2 (review)
  2. William T. Liston
  3. pp. 117-120
  4. DOI: https://doi.org/10.1353/shb.2007.0014
  5. restricted access
  1. Troilus and Cressida (review)
  2. Claire Altree
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/shb.2007.0000
  5. restricted access
  1. Titus Andronicus (review)
  2. Peter Kanelos
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/shb.2007.0012
  5. restricted access
  1. Hamlet, and: The Merry Wives of Windsor, and: Antony and Cleopatra (review)
  2. Todd Martin Lidh
  3. pp. 126-133
  4. DOI: https://doi.org/10.1353/shb.2007.0013
  5. restricted access
  1. Othello, and: The Tempest (review)
  2. Herbert R. Coursen
  3. pp. 133-138
  4. DOI: https://doi.org/10.1353/shb.2007.0006
  5. restricted access
  1. The Tempest (review)
  2. Susan L. Fischer
  3. pp. 138-141
  4. DOI: https://doi.org/10.1353/shb.2007.0009
  5. restricted access
  1. Theorizing Practice: Redefining Theatre History (review)
  2. Christopher J. Cobb
  3. pp. 143-150
  4. DOI: https://doi.org/10.1353/shb.2007.0004
  5. restricted access
  1. Shakespeare: Script, Stage, Screen (review)
  2. David B. Goldstein
  3. pp. 150-156
  4. DOI: https://doi.org/10.1353/shb.2007.0011
  5. restricted access
  1. Cymbeline: Constructions of Britain (review)
  2. Brett Foster
  3. pp. 156-161
  4. DOI: https://doi.org/10.1353/shb.2007.0010
  5. restricted access
  1. Introduction: Hamlet and the Still Image
  2. Genevieve Love
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/shb.2007.0015
  5. restricted access