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In this Issue

Table of Contents

  1. Editorial: Derek Jarman and “the Renaissance”
  2. Catherine Silverstone
  3. pp. 329-336
  4. DOI: https://doi.org/10.1353/shb.2014.0043
  5. restricted access
  1. Derek Jarman’s Renaissance and The Devils (1971)
  2. Rowland Wymer
  3. pp. 337-357
  4. DOI: https://doi.org/10.1353/shb.2014.0046
  5. restricted access
  1. “The shadow of this time”: Punk, Tradition, and History in Derek Jarman’s Jubilee (1978)
  2. Claire Monk
  3. pp. 359-373
  4. DOI: https://doi.org/10.1353/shb.2014.0049
  5. restricted access
  1. Renaissance Things: Objects, Ethics, and Temporalities in Derek Jarman’s Caravaggio (1986) and Modern Nature (1991)
  2. Jim Ellis
  3. pp. 375-392
  4. DOI: https://doi.org/10.1353/shb.2014.0052
  5. restricted access
  1. Body Positive: The Vibrant Present of Derek Jarman’s Edward II (1991)
  2. Lee Benjamin Huttner
  3. pp. 393-412
  4. DOI: https://doi.org/10.1353/shb.2014.0055
  5. restricted access
  1. History, Activism, and the Queer Child in Derek Jarman’s Queer Edward II (1991)
  2. Alexandra Parsons
  3. pp. 413-428
  4. DOI: https://doi.org/10.1353/shb.2014.0040
  5. restricted access
  1. “To the future”: Derek Jarman’s Edward II in the Archive
  2. Pascale Aebischer
  3. pp. 429-450
  4. DOI: https://doi.org/10.1353/shb.2014.0042
  5. restricted access
  1. Remembering Derek Jarman: Death, Legacy, and Friendship
  2. Catherine Silverstone
  3. pp. 451-470
  4. DOI: https://doi.org/10.1353/shb.2014.0045
  5. restricted access
  1. Spanish Golden Age Season, Ustinov Studio
  2. Susan L. Fischer
  3. pp. 471-485
  4. DOI: https://doi.org/10.1353/shb.2014.0048
  5. restricted access
  1. Harry the Sixth by Shakespeare’s Globe, and: The Houses of York and Lancaster by Shakespeare’s Globe, and: The True Tragedy of the Duke of York by Shakespeare’s Globe (review)
  2. Laura Grace Godwin
  3. pp. 487-497
  4. DOI: https://doi.org/10.1353/shb.2014.0051
  5. restricted access
  1. A Midsummer Night’s Dream by Ten Thousand Things Theater Company, and: Othello by Guthrie Theater (review)
  2. Douglas E. Green
  3. pp. 497-502
  4. DOI: https://doi.org/10.1353/shb.2014.0054
  5. restricted access
  1. The Two Noble Kinsmen by Cincinnati Shakespeare Company (review)
  2. Elizabeth Zeman Kolkovich
  3. pp. 503-506
  4. DOI: https://doi.org/10.1353/shb.2014.0039
  5. restricted access
  1. A Piece of Work: A machine-made Hamlet by Annie Dorsen by 2013 Next Wave Festival (review)
  2. Jemma Alix Levy
  3. pp. 506-509
  4. DOI: https://doi.org/10.1353/shb.2014.0041
  5. restricted access
  1. Henry V by Pacific Resident Theatre (review)
  2. John Miller
  3. pp. 509-512
  4. DOI: https://doi.org/10.1353/shb.2014.0044
  5. restricted access
  1. The Comedy of Errors by Propeller, and:A Midsummer Night’s Dream by Propeller (review)
  2. Emma Poltrack
  3. pp. 513-519
  4. DOI: https://doi.org/10.1353/shb.2014.0047
  5. restricted access
  1. King Lear by Royal National Theatre (review)
  2. Jami Rogers
  3. pp. 519-524
  4. DOI: https://doi.org/10.1353/shb.2014.0050
  5. restricted access
  1. Shakespeare Beyond English: A Global Experiment ed. by Susan Bennett and Christie Carson (review)
  2. Irena R. Makaryk
  3. pp. 525-529
  4. DOI: https://doi.org/10.1353/shb.2014.0053
  5. restricted access
  1. Reviewing Shakespeare: Journalism and Performance from the Eighteenth Century to the Present by Paul Prescott (review)
  2. Peter Kirwan
  3. pp. 530-532
  4. DOI: https://doi.org/10.1353/shb.2014.0038
  5. restricted access