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Volume 31, Number 4, Winter 2013

Table of Contents

Early Modern Drama and Realist Performance on the Contemporary Stage

Edited by Roberta Barker and Kim Solga, with performance reviews edited by Cary Mazer

Introduction

’Tis Pity She’s a Realist: A Conversational Case Study in Realism and Early Modern Theater Today

pp. 571-597 | DOI: 10.1353/shb.2013.0064

Articles

“The eternal glory of Mr W., the United States, and the Method”: Sam Wanamaker, Stanislavskian

pp. 599-621 | DOI: 10.1353/shb.2013.0072

Theatrical Realism as Feminist Intervention: Katie Mitchell’s 2011 Staging of A Woman Killed with Kindness

pp. 623-645 | DOI: 10.1353/shb.2013.0073

“We really can’t be doing 1603 now. We really can’t”: Katie Mitchell, Theatrical Adaptation, and Heywood’s A Woman Killed with Kindness

pp. 647-668 | DOI: 10.1353/shb.2013.0068

“Is’t real that I see?”: Staged Realism and the Paradox of Shakespeare’s Audience

pp. 669-688 | DOI: 10.1353/shb.2013.0071

Putting it on the Floor: Naturalism and the Verfremdungseffekt in The Tempest and The Witch of Edmonton

pp. 689-707 | DOI: 10.1353/shb.2013.0069

Epilogue

Beyond Realism: Into the Studio

pp. 709-718 | DOI: 10.1353/shb.2013.0074

Performance Reviews

Guest Editor’s Introduction

pp. 719-722 | DOI: 10.1353/shb.2013.0076

Othello performed at Public Theater (review)

pp. 722-727 | DOI: 10.1353/shb.2013.0063

Roman Tragedies performed by Toneelgroep Amsterdam (review)

pp. 727-733 | DOI: 10.1353/shb.2013.0065

The Merchant of Venice performed by Royal Shakespeare Company (review)

pp. 733-737 | DOI: 10.1353/shb.2013.0067

Hamlet performed at Schaubühne am Lehniner Platz (review)

pp. 737-745 | DOI: 10.1353/shb.2013.0070

A Midsummer Night’s Dream (As You Like It) performed at Chekhov International Theatre Festival/Dmitry Krymov’s Laboratory/School of Dramatic Art Theatre (review)

pp. 746-749 | DOI: 10.1353/shb.2013.0075

Troilus and Cressida performed by Wooster Group (review)

pp. 749-754 | DOI: 10.1353/shb.2013.0062

Book Reviews

Shakespeare and World Cinema by Mark Thornton Burnett, and: Filming Shakespeare in the Global Marketplace by Mark Thornton Burnett (review)

pp. 755-763 | DOI: 10.1353/shb.2013.0066

Research Areas

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