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Volume 31, Number 3, Fall 2013

Table of Contents

From the Editors

pp. 331-335 | DOI: 10.1353/shb.2013.0047


“If I could see the Puppets Dallying”: Der Bestrafte Brudermord and Hamlet’s Encounters with the Puppets

pp. 337-352 | DOI: 10.1353/shb.2013.0051

Acting, Integrity, and Gender in Coriolanus

pp. 353-373 | DOI: 10.1353/shb.2013.0055

The Comic Structure of the Globe: History, Direct Address, and the Representation of Laughter in a Reconstructed Playhouse

pp. 375-403 | DOI: 10.1353/shb.2013.0059

The Shakespearean Glass Ceiling: the State of Colorblind Casting in Contemporary British Theatre

pp. 405-430 | DOI: 10.1353/shb.2013.0039

Where Was He Born? Speak! Tell me!: Julie Taymor’s Tempest, Hawaiian Slavery, and the Birther Controversy

pp. 431-452 | DOI: 10.1353/shb.2013.0042

Interrogating Escapism: Rethinking Kenneth Branagh’s Love’s Labour’s Lost

pp. 453-483 | DOI: 10.1353/shb.2013.0045

Theatre Reviews

Henry VIII, and: Measure for Measure (review)

pp. 485-494 | DOI: 10.1353/shb.2013.0049

King Richard III (review)

pp. 494-499 | DOI: 10.1353/shb.2013.0053

Measure for Measure, Ferrara and Measure for Measure, Vienna (review)

pp. 499-505 | DOI: 10.1353/shb.2013.0057

Coriolanus (review)

pp. 505-508 | DOI: 10.1353/shb.2013.0061

Richard III, and: The Two Gentlemen of Verona (review)

pp. 508-515 | DOI: 10.1353/shb.2013.0041

The Changeling (review)

pp. 516-519 | DOI: 10.1353/shb.2013.0044

The Winter’s Tale (review)

pp. 519-523 | DOI: 10.1353/shb.2013.0048

Hamlet, and: Macbeth (review)

pp. 523-529 | DOI: 10.1353/shb.2013.0052

Troilus and Cressida (review)

pp. 529-535 | DOI: 10.1353/shb.2013.0056

Fair Em (review)

pp. 535-538 | DOI: 10.1353/shb.2013.0060

The Taming of the Shrew, and: Twelfth Night (review)

pp. 539-545 | DOI: 10.1353/shb.2013.0040

Titus Andronicus (review)

pp. 545-549 | DOI: 10.1353/shb.2013.0043

Julius Caesar (review)

pp. 550-553 | DOI: 10.1353/shb.2013.0046

Hamlet (review)

pp. 553-558 | DOI: 10.1353/shb.2013.0050

Mankind (review)

pp. 558-562 | DOI: 10.1353/shb.2013.0054

Book Reviews

The Cambridge Companion to Shakespeare and Contemporary Dramatists ed. by Ton Hoenselaars, and: The Oxford Handbook of Tudor Drama ed. by Thomas Betteridge, Greg Walker (review)

pp. 563-570 | DOI: 10.1353/shb.2013.0058

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