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Volume 30, Number 4, Winter 2012

Table of Contents

Rehearsing Shakespeare: Embodiment, Collaboration, Risk and Play . . .

pp. 383-410 | DOI: 10.1353/shb.2012.0072


Rehearsal: The Pleasures of the Flesh

pp. 411-429 | DOI: 10.1353/shb.2012.0077

“Disciplined Improvisation” in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds

pp. 431-447 | DOI: 10.1353/shb.2012.0082

The American Shakespeare Center’s “Actors’ Renaissance Season”: Appropriating Early Modern Performance Documents and Practices

pp. 449-467 | DOI: 10.1353/shb.2012.0087

Shakespeare and the Lecoq Tradition

pp. 469-484 | DOI: 10.1353/shb.2012.0092

The Importance of How: Directing Shakespeare with Michael Chekhov’s Technique

pp. 485-504 | DOI: 10.1353/shb.2012.0065

Shakespeare, Rehearsal and the Site-Specific

pp. 505-522 | DOI: 10.1353/shb.2012.0070

Sampling the Media Habits of a Shakespeare Company: Testing a Software Prototype in Rehearsal

pp. 523-533 | DOI: 10.1353/shb.2012.0075

Theatre Rehearsal Reviews

Rehearsal Reviews: Introduction

pp. 535-537 | DOI: 10.1353/shb.2012.0080

Das Wintermärchen (The Winter’s Tale) (review)

pp. 539-542 | DOI: 10.1353/shb.2012.0085

A Midsummer Night’s Dream (review)

pp. 543-547 | DOI: 10.1353/shb.2012.0090

Mercuzio non vuole morire (review)

pp. 548-554 | DOI: 10.1353/shb.2012.0095

King John (review)

pp. 555-559 | DOI: 10.1353/shb.2012.0068

Macbeth (review)

pp. 560-564 | DOI: 10.1353/shb.2012.0073

A Midsummer Night’s Dream (review)

pp. 565-572 | DOI: 10.1353/shb.2012.0078

Twelfth Night (review)

pp. 573-577 | DOI: 10.1353/shb.2012.0083

Theatre Reviews

The Winter’s Tale (review)

pp. 579-583 | DOI: 10.1353/shb.2012.0088

Love’s Labour’s Lost (review)

pp. 584-587 | DOI: 10.1353/shb.2012.0093

The Comedy of Errors, and: The Tempest (review)

pp. 587-594 | DOI: 10.1353/shb.2012.0066

Twelfth Night (review)

pp. 594-598 | DOI: 10.1353/shb.2012.0071

The Feast: An Intimate Tempest (review)

pp. 598-603 | DOI: 10.1353/shb.2012.0076

The Tempest, and: Richard III, and: Romeo and Juliet (review)

pp. 604-613 | DOI: 10.1353/shb.2012.0081

R & J Shakespeare–Juventude Interrompida (Interrupted Youth) (review)

pp. 614-618 | DOI: 10.1353/shb.2012.0086

Henry the Fifth (Traditional Cast), and: Henry the Fifth (Female Cast) (review)

pp. 618-625 | DOI: 10.1353/shb.2012.0091

Henry IV, Part One, and: Measure for Measure (review)

pp. 626-633 | DOI: 10.1353/shb.2012.0064

Twelfth Night, and: Troilus and Cressida, and: Richard III (review)

pp. 634-641 | DOI: 10.1353/shb.2012.0069

Julius Caesar, and: The Taming of the Shrew (review)

pp. 641-649 | DOI: 10.1353/shb.2012.0074

The History of Cardenio (review)

pp. 649-652 | DOI: 10.1353/shb.2012.0079

The Duchess of Malfi (review)

pp. 653-656 | DOI: 10.1353/shb.2012.0084

Review Article

Revisiting the Script: Shakespeare On Stage in 2012

pp. 657-667 | DOI: 10.1353/shb.2012.0089

Book Review

Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture (review)

pp. 669-672 | DOI: 10.1353/shb.2012.0094

Index to Volume 30

pp. 675-681 | DOI: 10.1353/shb.2012.0067

Research Areas


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