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In this Issue

Table of Contents

  1. Early Modern Drama on Screen: A Jarman Anniversary Issue
  2. Pascale Aebischer
  3. pp. 495-503
  4. DOI: https://doi.org/10.1353/shb.2011.0079
  5. restricted access
  1. Jarman's Renaissance Cinema
  2. Colin Maccabe
  3. pp. 505-507
  4. DOI: https://doi.org/10.1353/shb.2011.0083
  5. restricted access
  1. "What governs life": Švankmajer's Faust in Prague
  2. Pavel Drábek, Dan North
  3. pp. 525-542
  4. DOI: https://doi.org/10.1353/shb.2011.0065
  5. restricted access
  1. Revengers Tragedy: Jacobean Drama, Kenneth Branagh's Cinema and the Politics of the Not-Shakespearean
  2. Ramona Wray
  3. pp. 543-558
  4. DOI: https://doi.org/10.1353/shb.2011.0069
  5. restricted access
  1. Sexing Death: Giuseppe Patroni Griffi's 'Tis Pity She's a Whore
  2. Catherine Silverstone
  3. pp. 559-572
  4. DOI: https://doi.org/10.1353/shb.2011.0073
  5. restricted access
  1. The Jacobeans on Television: The Duchess of Malfi and 'Tis Pity She's a Whore at Chastleton House
  2. Susanne Greenhalgh
  3. pp. 573-589
  4. DOI: https://doi.org/10.1353/shb.2011.0077
  5. restricted access
  1. "Taking back the night": Hospitality in The Changeling on Film
  2. Courtney Lehmann
  3. pp. 591-604
  4. DOI: https://doi.org/10.1353/shb.2011.0081
  5. restricted access
  1. Compulsion: A View from the Director's Chair
  2. Sarah Harding
  3. pp. 605-615
  4. DOI: https://doi.org/10.1353/shb.2011.0085
  5. restricted access
  1. Volpone, and: The Duchess of Malfi, and: Doctor Faustus (review)
  2. Briony Frost
  3. pp. 617-619
  4. DOI: https://doi.org/10.1353/shb.2011.0063
  5. restricted access
  1. Macbeth, and: King Lear (review)
  2. Steve Mentz
  3. pp. 621-626
  4. DOI: https://doi.org/10.1353/shb.2011.0071
  5. restricted access
  1. The Comedy of Errors (review)
  2. Katharine Goodland
  3. pp. 626-630
  4. DOI: https://doi.org/10.1353/shb.2011.0075
  5. restricted access
  1. Richard III (review)
  2. Yu Jin Ko
  3. pp. 630-635
  4. DOI: https://doi.org/10.1353/shb.2011.0080
  5. restricted access
  1. Cymbeline (review)
  2. Elizabeth Abele
  3. pp. 635-639
  4. DOI: https://doi.org/10.1353/shb.2011.0084
  5. restricted access
  1. Timon of Athens (review)
  2. Barbara Ann Lukacs
  3. pp. 639-644
  4. DOI: https://doi.org/10.1353/shb.2011.0062
  5. restricted access
  1. All's Well That Ends Well (review)
  2. Elizabeth Klett
  3. pp. 644-649
  4. DOI: https://doi.org/10.1353/shb.2011.0066
  5. restricted access
  1. Much Ado about Nothing (review)
  2. Michael J. Collins
  3. pp. 649-654
  4. DOI: https://doi.org/10.1353/shb.2011.0070
  5. restricted access
  1. The Merchant of Venice (review)
  2. Coen Heijes
  3. pp. 654-658
  4. DOI: https://doi.org/10.1353/shb.2011.0074
  5. restricted access
  1. Cardenio (review)
  2. Susan L. Fischer
  3. pp. 659-666
  4. DOI: https://doi.org/10.1353/shb.2011.0078
  5. restricted access
  1. Edward III, and: The Two Noble Kinsmen (review)
  2. M. Tyler Sasser
  3. pp. 666-672
  4. DOI: https://doi.org/10.1353/shb.2011.0082
  5. restricted access
  1. Volpone, or The Fox (review)
  2. Paul Hecht
  3. pp. 672-674
  4. DOI: https://doi.org/10.1353/shb.2011.0086
  5. restricted access
  1. A Midsummer Night's Dream (review)
  2. Peter Holland
  3. pp. 675-680
  4. DOI: https://doi.org/10.1353/shb.2011.0064
  5. restricted access
  1. Thomas Middleton in Context (review)
  2. Pavel Drábek
  3. pp. 681-683
  4. DOI: https://doi.org/10.1353/shb.2011.0068
  5. restricted access
  1. Violence Against Women in Early Modern Performance: Invisible Acts (review)
  2. Diana E. Henderson
  3. pp. 683-686
  4. DOI: https://doi.org/10.1353/shb.2011.0072
  5. restricted access
  1. The Cambridge Companion to English Renaissance Tragedy (review)
  2. Briony Frost
  3. pp. 686-688
  4. DOI: https://doi.org/10.1353/shb.2011.0076
  5. restricted access
  1. Index to Volume 29
  2. pp. 691-696
  3. DOI: https://doi.org/10.1353/shb.2011.0067
  4. restricted access