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Volume 29, Number 1, Spring 2011

Table of Contents

Articles

Portable Shakespeare: Exigencies and "Magic" in Five-Actor Productions

pp. 1-25 | DOI: 10.1353/shb.2011.0007

Rehearsal in Films of the Early Modern Theatre: The Erotic Art of Making Shakespeare

pp. 27-41 | DOI: 10.1353/shb.2011.0010

Theater Reviews

Richard III, and: The Winter's Tale (review)

pp. 43-53 | DOI: 10.1353/shb.2011.0013

The Winter's Tale (review)

pp. 54-56 | DOI: 10.1353/shb.2011.0000

Much Ado About Nothing (review)

pp. 56-60 | DOI: 10.1353/shb.2011.0002

The Comedy of Errors (review)

pp. 60-64 | DOI: 10.1353/shb.2011.0004

Macbeth (review)

pp. 64-68 | DOI: 10.1353/shb.2011.0006

King Lear (review)

pp. 68-73 | DOI: 10.1353/shb.2011.0009

Romeo and Juliet (review)

pp. 73-76 | DOI: 10.1353/shb.2011.0012

All's Well That Ends Well, and: The Taming of the Shrew (review)

pp. 77-85 | DOI: 10.1353/shb.2011.0014

As You Like It, and: The Tempest (review)

pp. 85-92 | DOI: 10.1353/shb.2011.0001

As You Like It, and: The Tempest (review)

pp. 92-101 | DOI: 10.1353/shb.2011.0003

Henry IV, Part 1 and Henry IV, Part 2 (review)

pp. 102-111 | DOI: 10.1353/shb.2011.0005

Henry VIII, and: Anne Boleyn (review)

pp. 111-125 | DOI: 10.1353/shb.2011.0008

Book Review

Weyward Macbeth: Intersections of Race and Performance (review)

pp. 127-131 | DOI: 10.1353/shb.2011.0011

Research Areas

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