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In this Issue

Table of Contents

  1. Index to Volume 27
  3. DOI: https://doi.org/10.1353/shb.0.0130
  4. restricted access
  1. From the Editor
  2. Andrew James Hartley
  3. p. 7
  4. DOI: https://doi.org/10.1353/shb.0.0127
  5. restricted access
  1. A Fairy Tale and a Falling Library, a Bloody Ghost, and a Rabbit-Skinning: Shakespeare (and Ford) on Stage in 2009
  2. Alan C. Dessen
  3. pp. 537-548
  4. DOI: https://doi.org/10.1353/shb.0.0110
  5. restricted access
  1. Shakespeare Aftershocks: Shylock
  2. Rob Conkie
  3. pp. 549-566
  4. DOI: https://doi.org/10.1353/shb.0.0113
  5. restricted access
  1. Horror, Homosexuality, and Homiciphilia in McKellen's Richard III and Jarman's Edward II
  2. Michael D. Friedman
  3. pp. 567-588
  4. DOI: https://doi.org/10.1353/shb.0.0116
  5. restricted access
  1. Shakespeare on Screen Television Shakespeare: Essays in Honour of Michèle Willems (review)
  2. M. G. Aune
  3. pp. 589-591
  4. DOI: https://doi.org/10.1353/shb.0.0119
  5. restricted access
  1. The Tempest, and: Twelfth Night (review)
  2. Samuel Park
  3. pp. 593-600
  4. DOI: https://doi.org/10.1353/shb.0.0117
  5. restricted access
  1. Twelfth Night (review)
  2. Yu Jin Ko
  3. pp. 600-607
  4. DOI: https://doi.org/10.1353/shb.0.0128
  5. restricted access
  1. As You Like It (review)
  2. Peter J. Smith
  3. pp. 608-613
  4. DOI: https://doi.org/10.1353/shb.0.0123
  5. restricted access
  1. All's Well That Ends Well (review)
  2. Elizabeth Klett
  3. pp. 614-617
  4. DOI: https://doi.org/10.1353/shb.0.0124
  5. restricted access
  1. Much Ado about Nothing (review)
  2. Ann McCauley Basso
  3. pp. 617-621
  4. DOI: https://doi.org/10.1353/shb.0.0122
  5. restricted access
  1. The Merchant of Venice, and: The Tempest (review)
  2. Michael W. Shurgot
  3. pp. 621-633
  4. DOI: https://doi.org/10.1353/shb.0.0120
  5. restricted access
  1. The Winter's Tale (review)
  2. Michael J. Collins
  3. pp. 633-637
  4. DOI: https://doi.org/10.1353/shb.0.0129
  5. restricted access
  1. Othello, and: Macbeth (review)
  2. Darlene Farabee
  3. pp. 638-644
  4. DOI: https://doi.org/10.1353/shb.0.0112
  5. restricted access
  1. Hamlet and Rosencrantz and Guildenstern are Dead (review)
  2. Cameron Hunt
  3. pp. 644-646
  4. DOI: https://doi.org/10.1353/shb.0.0115
  5. restricted access
  1. Hamlet (review)
  2. Christian M. Billing
  3. pp. 646-656
  4. DOI: https://doi.org/10.1353/shb.0.0125
  5. restricted access
  1. Dido, Queen of Carthage (review)
  2. Peter Kirwan
  3. pp. 656-659
  4. DOI: https://doi.org/10.1353/shb.0.0121
  5. restricted access
  1. Henry V (review)
  2. Christen Madrazo
  3. pp. 659-662
  4. DOI: https://doi.org/10.1353/shb.0.0111
  5. restricted access
  1. The War of the Roses Part 1 and Part 2 (review)
  2. Anna Kamaralli
  3. pp. 662-668
  4. DOI: https://doi.org/10.1353/shb.0.0118
  5. restricted access
  1. Women Beware Women, and: The Winter's Tale, and: The Merchant of Venice (review)
  2. Steven Mentz
  3. pp. 669-681
  4. DOI: https://doi.org/10.1353/shb.0.0114
  5. restricted access
  1. The Cult of Kean (review)
  2. Katherine Scheil
  3. pp. 683-686
  4. DOI: https://doi.org/10.1353/shb.0.0126
  5. restricted access