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Table of Contents

  1. Hit-and-Run
  2. Margot Demopoulos
  3. pp. 171-183
  4. DOI: https://doi.org/10.1353/sew.2014.0040
  5. restricted access
  1. Trojan Commander
  2. Stephen Malin
  3. p. 184
  4. DOI: https://doi.org/10.1353/sew.2014.0062
  5. restricted access
  1. Returning to Ithaca
  2. Robert Cooperman
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/sew.2014.0051
  5. restricted access
  1. Scars of War
  2. John Rees Moore
  3. pp. 188-189
  4. DOI: https://doi.org/10.1353/sew.2014.0038
  5. restricted access
  1. Lessons from the Peloponnesian War
  2. Michael Spence
  3. p. 190
  4. DOI: https://doi.org/10.1353/sew.2014.0049
  5. restricted access
  1. Last Stand
  2. Gardner McFall
  3. pp. 191-193
  4. DOI: https://doi.org/10.1353/sew.2014.0068
  5. restricted access
  1. Alexander in New York, 1979
  2. Brian Culhane
  3. p. 194
  4. DOI: https://doi.org/10.1353/sew.2014.0056
  5. restricted access
  1. Little Sister
  2. Thomas Reiter
  3. pp. 195-196
  4. DOI: https://doi.org/10.1353/sew.2014.0044
  5. restricted access
  1. The Old Poet: Margaret Preston Remembers
  2. Helen Pinkerton Trimpi
  3. pp. 197-200
  4. DOI: https://doi.org/10.1353/sew.2014.0054
  5. restricted access
  1. The Fields of Glory
  2. Catharine Savage Brosman
  3. pp. 201-207
  4. DOI: https://doi.org/10.1353/sew.2014.0046
  5. restricted access
  1. Nuremberg
  2. Stephen Gibson
  3. pp. 208-210
  4. DOI: https://doi.org/10.1353/sew.2014.0069
  5. restricted access
  1. Untouched Hearts
  2. David Moolten
  3. pp. 211-212
  4. DOI: https://doi.org/10.1353/sew.2014.0050
  5. restricted access
  1. Traces of Life
  2. Holly St. John Bergon
  3. pp. 213-216
  4. DOI: https://doi.org/10.1353/sew.2014.0057
  5. restricted access
  1. Wartime
  2. Brooke Horvath
  3. pp. 217-219
  4. DOI: https://doi.org/10.1353/sew.2014.0039
  5. restricted access
  1. The Battle of Dien Bien Phu November 1953–May 1954
  2. R. L. Barth
  3. pp. 220-221
  4. DOI: https://doi.org/10.1353/sew.2014.0052
  5. restricted access
  1. Scenes of War
  2. Michael Miler
  3. p. 222
  4. DOI: https://doi.org/10.1353/sew.2014.0045
  5. restricted access
  1. Foreign Wars
  2. Michael Cavanagh
  3. p. 223
  4. DOI: https://doi.org/10.1353/sew.2014.0063
  5. restricted access
  1. Reading Yeats’s “September 1913” in its Contexts
  2. George Bornstein
  3. pp. 224-235
  4. DOI: https://doi.org/10.1353/sew.2014.0060
  5. restricted access
  1. Dark Day on the Prairie
  2. Robert Lacy
  3. pp. 236-244
  4. DOI: https://doi.org/10.1353/sew.2014.0066
  5. restricted access
  1. Berlin on My Mind: An Anti-Memoir
  2. Derek Cohen
  3. pp. 245-260
  4. DOI: https://doi.org/10.1353/sew.2014.0036
  5. restricted access
  1. Warring with Words
  2. Pat C. Hoy II
  3. pp. 261-269
  4. DOI: https://doi.org/10.1353/sew.2014.0042
  5. restricted access
  1. Remembering the Battle of the Bulge
  2. Seymour I. Toll
  3. pp. 270-282
  4. DOI: https://doi.org/10.1353/sew.2014.0058
  5. restricted access
  1. Letter from Lebanon
  2. Christopher Thornton
  3. pp. 283-294
  4. DOI: https://doi.org/10.1353/sew.2014.0064
  5. restricted access
  1. Reflections on the Civil War
  2. John M. McCardell Jr.
  3. pp. 295-303
  4. DOI: https://doi.org/10.1353/sew.2014.0053
  5. restricted access
  1. Confessions of a Military Historian
  2. Charles Carlton
  3. pp. 303-313
  4. DOI: https://doi.org/10.1353/sew.2014.0059
  5. restricted access
  1. Isaac Rosenberg the War Poet
  2. A. Banerjee
  3. pp. 313-318
  4. DOI: https://doi.org/10.1353/sew.2014.0065
  5. restricted access
  1. Tom Heggen: A Fragment
  2. Robert Lacy
  3. pp. 318-322
  4. DOI: https://doi.org/10.1353/sew.2014.0035
  5. restricted access
  1. Consorting with the Enemy
  2. Phillip Parotti
  3. pp. 323-330
  4. DOI: https://doi.org/10.1353/sew.2014.0041
  5. restricted access
  1. The Glorious Art of War
  2. George Core
  3. pp. 331-336
  4. DOI: https://doi.org/10.1353/sew.2014.0037
  5. restricted access
  1. Hard Times
  2. Phillip Parotti
  3. pp. 336-340
  4. DOI: https://doi.org/10.1353/sew.2014.0043
  5. restricted access
  1. Anne Frank and the “What If?”: School of Fiction
  2. Sanford Pinsker
  3. pp. 340-344
  4. DOI: https://doi.org/10.1353/sew.2014.0048
  5. restricted access
  1. World War I Irrupts
  2. Samuel R. Williamson Jr.
  3. pp. xxi-xxiv
  4. DOI: https://doi.org/10.1353/sew.2014.0055
  5. restricted access
  1. Honoring, Reinventing, and Creating German Masters
  2. Matthew Burkhalter
  3. pp. xxiv-xxvii
  4. DOI: https://doi.org/10.1353/sew.2014.0061
  5. restricted access
  1. The Tirpitz All Told
  2. Phillip Parotti
  3. pp. xxvii-xxxi
  4. DOI: https://doi.org/10.1353/sew.2014.0067
  5. restricted access
  1. Contributors
  3. pp. xxxii-xxxiii
  4. DOI: https://doi.org/10.1353/sew.2014.0034
  5. restricted access