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Browse Book and Journal Content on Project MUSE

Volume 48, Number 4, November 2012

Table of Contents


On the Novelle and/as Ereignis

pp. 417-439 | DOI: 10.1353/smr.2012.0027

Co-opting Classicism and Debating Cultural Identity on the German National Stage in Mannheim

pp. 440-458 | DOI: 10.1353/smr.2012.0029

Jeremias Gotthelf's Business: Economic Didacticism and "Der Besenbinder von Rychiswyl"

pp. 459-472 | DOI: 10.1353/smr.2012.0031

Inflicting Wounds and Leaving Scars: Marlene Streeruwitz's Morire in Levitate

pp. 473-489 | DOI: 10.1353/smr.2012.0033


Tristan (review)

pp. 490-492 | DOI: 10.1353/smr.2012.0034

Vom Gesetz des Widerspruchs. Über Heinrich von Kleist (review)

pp. 492-493 | DOI: 10.1353/smr.2012.0035

Goethe's Faust. Theatre of Modernity (review)

pp. 494-496 | DOI: 10.1353/smr.2012.0036

Büchner-Handbuch. Leben - Werk - Wirkung (review)

pp. 497-499 | DOI: 10.1353/smr.2012.0028

Screening War. Perspectives on German Suffering. Screen Cultures. German Film and the Visual (review)

pp. 499-501 | DOI: 10.1353/smr.2012.0030

H.C. Artmann's Structuralist Imagination: A Semiotic Study of His Aesthetic and Postmodernity (review)

pp. 501-503 | DOI: 10.1353/smr.2012.0032

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