+ MUSE Alert

In this Issue

Table of Contents

  1. From ‘sots-romanticism’ to rom-com: The Strugatskiis’ Monday Begins on Saturday as a film comedy
  2. Yvonne Howell
  3. pp. 127-143
  4. restricted access
  1. Genre and gender in The Dead Mountaineer’s Hotel (1979)
  2. Eva Näripea, Henriette Cederlöf
  3. pp. 145-166
  4. restricted access
  1. Loyalty by obfuscation: Aleksandr Sokurov’s Dni zatmeniia vs the Strugatskii brothers’ A Billion Years before the End of the World
  2. Andrei Rogatchevski
  3. pp. 167-178
  4. restricted access
  1. The scent of a former life: The Czech adaptation of the Strugatskiis’ story The Kid
  2. Maria Engström
  3. pp. 179-198
  4. restricted access
  1. Genre film, spectacle and the Strugatskii brothers in Fyodor Bondarchuk’s The Inhabited Island
  2. Sofya Khagi
  3. pp. 199-217
  4. restricted access
  1. Observing the imperial gaze: On Peter Fleischmann’s Es ist nicht leicht ein Gott zu sein
  2. Matthias Schwartz
  3. pp. 219-232
  4. restricted access
  1. Back to the future in Arkanar: The Strugatskiis, Aleksei German Sr and the problem of injustice in Hard to Be a God
  2. Muireann Maguire
  3. pp. 233-253
  4. restricted access
  1. Tarkovsky and the Strugatskii brothers: The prehistory of Stalker
  2. Evgenii Tsymbal, Muireann Maguire
  3. pp. 255-277
  4. restricted access
  1. Planet of the Apes and Philosophy: Great Apes Think Alike ed. by John Huss (review)
  2. Stina Attebery
  3. pp. 279-280
  4. restricted access
  1. Postcolonialism and Science Fiction by Jessica Langer (review)
  2. Paweł Frelik
  3. pp. 280-284
  4. restricted access
  1. The Avengers by Joss Whedon (review)
  2. Dylan Bateman
  3. pp. 285-289
  4. restricted access
  1. Man of Steel by Zack Snyder (review)
  2. William Proctor
  3. pp. 290-293
  4. restricted access
  1. Introduction: Filming the Strugatskiis
  2. Muireann Maguire, Andrei Rogatchevski
  3. pp. 123-126
  4. restricted access
  1. About the contributors
  2. pp. 295-296
  3. restricted access