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Volume 84, Number 3, Fall 2012

Table of Contents

Strindberg: A Hundred-Year Legacy

Guest Editors: Anna Westerståhl Stenport and Eszter Szalczer


Strindberg and Radicalism—Strindberg and the Avant-garde: A Hundred-Year Legacy

pp. 235-247 | DOI: 10.1353/scd.2012.0033

Strindberg Goes to Frankfurt: Critical Theory and the Reactionary Writer

pp. 249-272 | DOI: 10.1353/scd.2012.0035

Between Vision and Doubt: Re-assessing the Radicalism of Strindberg’s Italian Travel Writing and Likt och olikt (1884)

pp. 273-298 | DOI: 10.1353/scd.2012.0037

Ambivalent Beginnings: Strindberg, the Artist’s Book, and the Foundation of Swedish Material Modernism

pp. 299-322 | DOI: 10.1353/scd.2012.0029

Aleister Crowley Reads Inferno: Towards an Occult Reception of Strindberg

pp. 323-346 | DOI: 10.1353/scd.2012.0030

The Surreal Paris of August Strindberg’s “Jacob lutte”

pp. 347-358 | DOI: 10.1353/scd.2012.0031

Strindberg’s Radical Aesthetics

pp. 359-372 | DOI: 10.1353/scd.2012.0032

On the Threshold: Knowledge, Hybridity, and Gender in August Strindberg’s I havsbandet

pp. 373-394 | DOI: 10.1353/scd.2012.0034

Trauma, Radicalism, and Dramatic Form in Till Damaskus I

pp. 395-412 | DOI: 10.1353/scd.2012.0036

Earthbound: Strindberg’s Dream Play Reimagined for the Era of Digital Media Convergence

pp. 413-424 | DOI: 10.1353/scd.2012.0028

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