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Table of Contents

  1. 'The Busy Time': Keats's Duties at Guy's Hospital from Autumn 1816 to March 1817
  2. John Barnard
  3. pp. 199-218
  4. DOI: https://doi.org/10.1353/rom.2007.0036
  5. restricted access
  1. Mary Shelley as Elegiac Poet: The Return and 'The Choice'
  2. Graham Allen
  3. pp. 219-232
  4. DOI: https://doi.org/10.1353/rom.2007.0032
  5. restricted access
  1. 'The destinies of the world': Shelley's reception and transmission of European news in 1820–21
  2. Michael Rossington
  3. pp. 233-243
  4. DOI: https://doi.org/10.1353/rom.2007.0037
  5. restricted access
  1. 'Dangerous and Suspicious Trades': Wordsworth's Pedlar and the Board of Police Revenue
  2. Quentin Bailey
  3. pp. 244-256
  4. DOI: https://doi.org/10.1353/rom.2007.0034
  5. restricted access
  1. 'Offspring of his Genius': Coleridge's Pregnant Metaphors and Metamorphic Pregnancies
  2. Kiran Toor
  3. pp. 257-270
  4. DOI: https://doi.org/10.1353/rom.2007.0039
  5. restricted access
  1. Coleridge, Moritz and the 'psychological' case history
  2. Neil Vickers
  3. pp. 271-280
  4. DOI: https://doi.org/10.1353/rom.2007.0041
  5. restricted access
  1. Coleridge's Capable Negativity in 'Dejection: an ode'
  2. Andrew Keanie
  3. pp. 281-292
  4. DOI: https://doi.org/10.1353/rom.2007.0040
  5. restricted access
  1. The Reception of Blake in the Orient (review)
  2. Edward Larrissy
  3. pp. 293-295
  4. DOI: https://doi.org/10.1353/rom.2007.0042
  5. restricted access
  1. Indian Renaissance: British Romantic Art and the Prospect of India (review)
  2. Richard Cronin
  3. pp. 295-297
  4. DOI: https://doi.org/10.1353/rom.2007.0038
  5. restricted access
  1. Austen's Unbecoming Conjunctions: Subversive Laughter, Embodied History (review)
  2. Olivia Murphy
  3. pp. 297-299
  4. DOI: https://doi.org/10.1353/rom.2007.0033
  5. restricted access
  1. British Romanticism and Italian Literature: Translating, Reviewing, Rewriting (review)
  2. Maureen McCue
  3. pp. 299-301
  4. DOI: https://doi.org/10.1353/rom.2007.0043
  5. restricted access
  1. Fictions and Fakes: Forging Romantic Authenticity, 1760–1845 (review)
  2. Kristin Ott
  3. pp. 301-302
  4. DOI: https://doi.org/10.1353/rom.2007.0035
  5. restricted access