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Table of Contents

  1. Ocean meets Ossian: Staffa as Romantic Symbol
  2. Jennifer Davis Michael
  3. pp. 1-14
  4. restricted access
  1. The Rhetorical Occasion of 'This Lime-Tree Bower my Prison'
  2. William Andrew Ulmer
  3. pp. 15-27
  4. DOI: https://doi.org/10.1353/rom.2007.0022
  5. restricted access
  1. 'Vulgarisms and Broken English': The Familiar Perspicuity of William Hazlitt
  2. Marcus Tomalin
  3. pp. 28-52
  4. DOI: https://doi.org/10.1353/rom.2007.0021
  5. restricted access
  1. 'Oriental' and 'Orientalist' Poetry: The Debate in Literary Criticism in the Romantic Period
  2. Andrew Rudd
  3. pp. 53-62
  4. DOI: https://doi.org/10.1353/rom.2007.0019
  5. restricted access
  1. Inuit Diasporas: Frankenstein and the Inuit in England
  2. Karen Lynnea Piper
  3. pp. 63-75
  4. restricted access
  1. 'Nauseous Epigrams': Byron and Martial
  2. Andrew Nicholson
  3. pp. 76-83
  4. DOI: https://doi.org/10.1353/rom.2007.0016
  5. restricted access
  1. Antologia delle poetesse romantiche inglesi (review)
  2. Michael Rossington
  3. pp. 84-86
  4. DOI: https://doi.org/10.1353/rom.2007.0018
  5. restricted access
  1. Johnson, Writing, and Memory (review)
  2. Tony Howe
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/rom.2007.0014
  5. restricted access
  1. British Abolitionism and the Rhetoric of Sensibility: Writing, Sentiment, and Slavery, 1760-1807 (review)
  2. Anthony John Harding
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/rom.2007.0013
  5. restricted access
  1. Romantic Moods: Paranoia, Trauma, and Melancholy, 1790-1840 (review)
  2. Tom Duggett
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/rom.2007.0012
  5. restricted access
  1. Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773-1832 (review)
  2. Julia Swindells
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/rom.2007.0020
  5. restricted access