+ MUSE Alert

In this Issue

Table of Contents

  1. Tennyson and the Legacies of Romantic Art
  2. Seamus Perry
  3. pp. 1-12
  4. DOI: https://doi.org/10.1353/rom.0.0020
  5. restricted access
  1. Byron, Clough, and the Grounding of Victorian Poetry
  2. Richard Cronin
  3. pp. 13-24
  4. DOI: https://doi.org/10.1353/rom.0.0017
  5. restricted access
  1. The Changing Faces of the Byronic Hero in Middlemarch and North and South
  2. Sarah Wootton
  3. pp. 25-35
  4. DOI: https://doi.org/10.1353/rom.0.0003
  5. restricted access
  1. A. C. Bradley’s Views of Shelley’s Poetry and Poetics
  2. Michael O’Neill
  3. pp. 36-46
  4. DOI: https://doi.org/10.1353/rom.0.0007
  5. restricted access
  1. Songs of the Self: Berryman’s Whitman
  2. Gareth Reeves
  3. pp. 47-56
  4. DOI: https://doi.org/10.1353/rom.0.0010
  5. restricted access
  1. ‘Webbed with Golden Lines’: Saul Bellow’s Romanticism
  2. Mark Sandy
  3. pp. 57-67
  4. DOI: https://doi.org/10.1353/rom.0.0013
  5. restricted access
  1. British Romanticism and Continental Influences: Writing in an Age of Europhobia (review)
  2. Christoph Bode
  3. pp. 68-72
  4. DOI: https://doi.org/10.1353/rom.0.0016
  5. restricted access
  1. Literary Relations: Kinship and the Canon 1660–1830 (review)
  2. Nicola Healey
  3. pp. 72-75
  4. DOI: https://doi.org/10.1353/rom.0.0019
  5. restricted access
  1. Blake and Modern Literature (review)
  2. David Fallon
  3. pp. 75-77
  4. DOI: https://doi.org/10.1353/rom.0.0000
  5. restricted access
  1. Plagiarism and Literary Property in the Romantic Period, and: Original Copy: Plagiarism and Originality in Nineteenth-Century Literature (review)
  2. Andrew M. Stauffer
  3. pp. 77-80
  4. DOI: https://doi.org/10.1353/rom.0.0005
  5. restricted access
  1. Preface
  2. Michael O’Neill
  3. p. v
  4. DOI: https://doi.org/10.1353/rom.0.0002
  5. restricted access