We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 49, Number 3, 2009

Table of Contents

Ontología de la metáfora en El Divino Narciso de Sor Juana Inés de la Cruz

pp. 257-265 | DOI: 10.1353/rmc.2009.0032

Emotion, Satire, and a Sense of Place: Two Spanish Rivers in Lope de Vega's Sonnets

pp. 267-276 | DOI: 10.1353/rmc.2009.0001

The Poetics of War: Disjunction and Violence in Carmen Conde's Mientras los hombres mueren

pp. 277-285 | DOI: 10.1353/rmc.2009.0007

Gerald and Thomas: The Subtext within the Text in Down These Mean Streets

pp. 287-299 | DOI: 10.1353/rmc.2009.0013

Carlos Fuentes's "The Two Shores": Between Counterfactualism and Cultural Allegory

pp. 301-311 | DOI: 10.1353/rmc.2009.0019

Finding a Place for ¡Ecué-Yamba-O!: Carpentier's Tenuous Dialogue with Afrocubanismo

pp. 313-322 | DOI: 10.1353/rmc.2009.0025

Consuming Mother in Diana Raznovich's Casa Matriz

pp. 323-330 | DOI: 10.1353/rmc.2009.0030

De Portugal a Angola: breves viagens ekphrásticas em Os cus de Judas de António Lobo-Antunes

pp. 331-338 | DOI: 10.1353/rmc.2009.0036

Jogos de alteridade em A menor mulher do mundo de Clarice Lispector

pp. 339-346 | DOI: 10.1353/rmc.2009.0005

De janelas e calçadões: Copacabana naficção de Sonia Coutinho

pp. 347-355 | DOI: 10.1353/rmc.2009.0011

Molly, Jenny and Margot: The Making of Candide's Paquette

pp. 357-366 | DOI: 10.1353/rmc.2009.0017

Invito spectatore: Scenes of Love in the Lettre à d'Alembert sur les spectacles

pp. 367-376 | DOI: 10.1353/rmc.2009.0023