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Volume 49, Number 1, 2009

Table of Contents

Tropos da colonização da América: discurso do gênero e simbolismo animal

pp. 3-11 | DOI: 10.1353/rmc.2009.0035

Rending Moments of Material Ecstasy in the Meditative Essays of Two Nobel Laureates: Le Clezio and Camus

pp. 13-21 | DOI: 10.1353/rmc.2009.0004

"Na Maria, pretz e fina valors": A New Argument for Female Authorship

pp. 23-33 | DOI: 10.1353/rmc.2009.0010

Cervantine Curiosity and Impertinence in Leonor de la Cueva's La firmeza en la ausencia

pp. 35-42 | DOI: 10.1353/rmc.2009.0016

The Savage Imperium: Masculinity, Subversion and Violence in Carajicomedia

pp. 43-51 | DOI: 10.1353/rmc.2009.0022

Historia y disidencia: El poema a la estatua de Quevedo de José Ângel Valente

pp. 53-60 | DOI: 10.1353/rmc.2009.0028

From the Self to the Nation: Willpower in José María Salaverría

pp. 61-69 | DOI: 10.1353/rmc.2009.0033

Religion and Power: The Appropriation of Da Vinci's The Last Supper in Viridiana and L'Ultima Cena

pp. 71-79 | DOI: 10.1353/rmc.2009.0002

In and Out of the Mainstream: Dominican-American Identity in Junot Díaz's How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie

pp. 81-89 | DOI: 10.1353/rmc.2009.0008

¿Victoria contra Corín Tellado?: La novela rosa revolucionaria cubana y la ficción en Mujeres

pp. 91-100 | DOI: 10.1353/rmc.2009.0014

The Power of Imagination: Mario Vargas Llosa

pp. 101-109 | DOI: 10.1353/rmc.2009.0020

El amor en los tiempos del tadek en Radio Ciudad Perdida de Daniel Alarcón

pp. 111-120 | DOI: 10.1353/rmc.2009.0026