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Volume 47, Number 3, Spring 2007

Table of Contents

Articles

La Serrana de la Vera de Vélez de Guevara y el romanticismo incipiente

pp. 237-244 | DOI: 10.1353/rmc.2007.0021

"En una fortaleza preso queda": A Landscape of Political Allegory

pp. 245-251 | DOI: 10.1353/rmc.2007.0025

"Carlota's Lesson in 'Love painting'": The Portrait of a Woman Artist in a Spanish Short Story

pp. 253-262 | DOI: 10.1353/rmc.2007.0029

"Conto gallego": Seducción, misoginia y sexualidad femenina

pp. 263-269 | DOI: 10.1353/rmc.2007.0033

Sinfonía de trincheras y rameras: El violín del Diablo de Raúl González Tuñón

pp. 271-279 | DOI: 10.1353/rmc.2007.0012

Writing Absence: History and Death in Borges's "Tema del traidory del héroe"

pp. 281-289 | DOI: 10.1353/rmc.2007.0016

Fantasizing the Feminine: Sex and Gender in Donoso's El lugar sin límites and Puig's El beso de la mujer araña

pp. 291-300 | DOI: 10.1353/rmc.2007.0020

Deception or Creation?: Translations in Guillermo Cabrera Infante's Tres tristes tigres

pp. 301-311 | DOI: 10.1353/rmc.2007.0023

Poetic Self-Assertion in Jean Lemaire de Belges's 1506 "Les Regretz de la dame infortunée"

pp. 313-321 | DOI: 10.1353/rmc.2007.0027

"Bérenger au long cul" and the Pastourelle

pp. 323-331 | DOI: 10.1353/rmc.2007.0031

Memory Degree Zero: Notes on José Cardoso Pires' De Profundis, Valsa Lenta

pp. 333-339 | DOI: 10.1353/rmc.2007.0035

A Feminine Approach to Favour in Two Novels by Machado de Assis

pp. 341-349 | DOI: 10.1353/rmc.2007.0014

Lab Cannibals: Resistance and Contagion in Sonhos tropicais

pp. 351-358 | DOI: 10.1353/rmc.2007.0018