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Table of Contents

  1. "The Right Kind of Pity": Notes on O'Neill's Revisions for The Iceman Cometh
  2. Michael Hinden
  3. pp. 1-12
  4. DOI: https://doi.org/10.1353/rals.2000.0010
  5. restricted access
  1. "Trial by Public Opinion": Arthur Miller Reviews "The New York Crime Show"
  2. George W. Crandell
  3. pp. 13-28
  4. DOI: https://doi.org/10.1353/rals.2000.0005
  5. restricted access
  1. Eugene O'Neill in Portugal and Brazil
  2. George Monteiro
  3. pp. 29-48
  4. DOI: https://doi.org/10.1353/rals.2000.0016
  5. restricted access
  1. Finding the Way: The Evolution of Tennessee Williams's Vieux Carre
  2. Craig Clinton
  3. pp. 49-63
  4. DOI: https://doi.org/10.1353/rals.2000.0004
  5. restricted access
  1. The Horton Foote Collection at the DeGolyer Library
  2. Laurin Porter
  3. pp. 64-74
  4. DOI: https://doi.org/10.1353/rals.2000.0018
  5. restricted access
  1. Tempest in Black and White: The 1924 Premiere of Eugene O'Neill's All God's Chillun Got Wings
  2. Glenda Frank
  3. pp. 75-89
  4. DOI: https://doi.org/10.1353/rals.2000.0007
  5. restricted access
  1. O'Neill Faces His Ghosts
  2. Michael Manheim
  3. pp. 90-95
  4. DOI: https://doi.org/10.1353/rals.2000.0014
  5. restricted access
  1. Eugene O'Neill and His Eleven-Play Cycle: "A Tale of Possessors Self-Dispossessed" (review)
  2. Martha Gilman Bower
  3. pp. 96-98
  4. DOI: https://doi.org/10.1353/rals.2000.0002
  5. restricted access
  1. Edward Albee: A Singular Journey--A Biography (review)
  2. Matthew Charles Roudane
  3. pp. 98-102
  4. DOI: https://doi.org/10.1353/rals.2000.0019
  5. restricted access
  1. Trademarking Jack London
  2. Andrew J. Furer
  3. pp. 103-109
  4. DOI: https://doi.org/10.1353/rals.2000.0008
  5. restricted access
  1. Re/Visiting Russia with Theodore Dreiser
  2. Irene Gammel, Henry Felix Srebrnik
  3. pp. 110-115
  4. DOI: https://doi.org/10.1353/rals.2000.0009
  5. restricted access
  1. Harriet Beecher Stowe: A Life (review)
  2. Blythe Forcey
  3. pp. 116-121
  4. DOI: https://doi.org/10.1353/rals.2000.0006
  5. restricted access
  1. Emily Dickinson's Open Folios: Scenes of Reading, Surfaces of Writing (review)
  2. Matthew G. Kirschenbaum
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/rals.2000.0013
  5. restricted access
  1. Kate Chopin's Private Papers (review)
  2. Alice Hall Petry
  3. pp. 124-127
  4. DOI: https://doi.org/10.1353/rals.2000.0017
  5. restricted access
  1. Charlotte Perkins Gilman's "The Yellow Wall-Paper" and the History of Its Publication and Reception: A Critical Edition and Documentary Casebook (review)
  2. Carol Farley Kessler
  3. pp. 127-129
  4. DOI: https://doi.org/10.1353/rals.2000.0012
  5. restricted access
  1. Selected Letters of Hamlin Garland, and: Hamlin Garland: A Bibliography, with a Checklist of Unpublished Letters (review)
  2. Quentin E. Martin
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/rals.2000.0015
  5. restricted access
  1. The Material Unconscious: American Amusement, Stephen Crane and the Economies of Play (review)
  2. Jonathan Auerbach
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/rals.2000.0001
  5. restricted access
  1. Winds Can Wake Up the Dead: An Eric Walrond Reader (review)
  2. George Hutchinson
  3. pp. 133-136
  4. DOI: https://doi.org/10.1353/rals.2000.0011
  5. restricted access
  1. A Paris Year: Dorothy and James T. Farrell, 1931-1932 (review)
  2. Alan M. Wald
  3. pp. 136-138
  4. DOI: https://doi.org/10.1353/rals.2000.0020
  5. restricted access
  1. Editors' Note
  2. Jackson R. Bryer, Richard Kopley
  3. p. iv
  4. DOI: https://doi.org/10.1353/rals.2000.0003
  5. restricted access