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Volume 44, Number 2, Summer 2013

Table of Contents

Special Issue: (In)Visibility in African Cultures

Guest Editors: Zoe Norridge, Charlotte Baker, Elleke Boehmer


Introduction: Tracing the Visible and the Invisible through African Literature, Publishing, Film, and Performance Art

pp. V-XI


Lifting the Cloak of (In)Visibility: A Writer's Perspective

pp. 1-7

Literary Publishing After Nigerian Independence: Mbari as Celebration

pp. 8-16

Publishing in Africa from Independence to the Present Day

pp. 17-34

The Caine Prize and Contemporary African Writing

pp. 35-47

Black on Black: (In)Visibility in African Literary Heterotopias

pp. 48-61

Sihle Khumalo, Cape to Cairo, and Questions of Intertextuality: How to Write About Africa, How to Read About Africa

pp. 62-75

Between Remembering and Forgetting: (In)Visible Rwanda in Gilbert Gatore's Le Passé devant soi

pp. 76-90

The Critical Powers of Salimata's Disenchantment: A Gendered Rereading of Ahmadou Kourouma's Les Soleils des indépendances

pp. 91-104

Making the Invisible Visible: Photographic Trials in Neil Abramson's Soldier Child

pp. 105-124

The Politics of Representation and Audience Reception: Alternative Visions of Africa

pp. 125-141

Representing Africa in the UK: Programming the Africa in Motion Film Festival

pp. 142-162

Visualizing the Mental City: The Exploration of Cultural and Subjective Topographies by Contemporary Performance Artists in Johannesburg

pp. 163-176



p. 177

Research Areas


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