We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 43, Number 3, Fall 2012

Table of Contents


New African Writing and the Question of Audience

pp. 1-20

Ghostly Girls in the "Eerie Bush": Helen Oyeyemi's The Icarus Girl as Postcolonial Female Gothic Fiction

pp. 21-35

The Effect of Translating "Big Words": Anglophone Translation and Reception of Ahmadou Kourouma's Novel Allah n'est pas obligé

pp. 36-53

The Tyranny of the Visual: Alex La Guma and the Anti-Apartheid Documentary Image

pp. 54-83

Photojournalism's White Mythologies: Eliot Elisofon and LIFE in Africa, 1959-1961

pp. 84-105


An Interview with Sefi Atta

pp. 106-114

Review Essay

Imaginary Insurrections: New Criticism on Caribbean Writers

pp. 115-125

Book Reviews

Teaching African Literature Today: African Literature Today 29 (review)

pp. 126-127

Hybrid Cultures—Nervous States: Britain and Germany in a (Post)Colonial World (review)

pp. 127-130

Postcolonial Artists and Global Aesthetics (review)

pp. 129-130

The Negritude Moment: Explorations in Francophone African and Caribbean Literature and Thought (review)

pp. 131-134

Le Sanglot de l'Homme Noir (review)

pp. 134-135

Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon (review)

pp. 135-136

Ira Aldridge: The Early Years (1807-1833), and: Ira Aldridge: The Vagabond Years (1833-1852) (review)

pp. 137-138

Race and Sex across the French Atlantic: The Color of Black in Literary, Philosophical, and Theater Discourse (review)

pp. 139-140

Intertextuality in Contemporary African Literature: Looking Forward (review)

pp. 140-141

Nairobi: Urbanités contemporaines: Études Littéraires Africaines 31 (review)

pp. 141-142

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access