- Theory of Life on Other Worlds:Contemplating Retirement and Social Security Reform at Shore Line Park
Now, the mild despairs of autumn, and the wind shrugging its shoulders among the leaves have me as uncertain as ever-
all those lights discarded across the dark, overworked . . . I'm just sitting here in my frayed overcoat of hope, out of range of philosophy
and dialectics, yet a thin music can still be extracted from a breeze, that same one we felt when we were happy beside the palms
and there seemed no great injustice at work above us in the stars. Now, if angels alighted out of the blue, I'd want to know why
they've taken their sweet time-were they delayed with some metaphysical/industrial action, and what, if anything,
do they propose to do about the past? That one with a Dodger cap on back-to-front, skateboarding the cliff walk, looping on an edge
of wind, he'd be mocking us, right, flying by without wings? And the one lighting a Marlboro, his face licked with flame like a Mexican icon- [End Page 142]
what's that signify, beyond everything holding on briefly before the dark? There are no trickle-down arguments for transcendence, and
in their glowing bones, it's not material to them. They could care less how many years I've been on the job, wearing these serviceable brown shoes
with heavy soles, my Chairman Mao cap missing its red star. Industrial/Cultural revolution, it's all old hat, so far as they are concerned,
and they aren't. These days, I vote for just breathing evenly, for the social contract and the continuing resolution with the trees, my membership
card in United Anarchists-if they ever issued one- having expired. Stars, like every working stiff, have looked us in the eye all this time,
and the sea birds stalled above the surf, wings tipped out on the updraft, have no ontological complaints. And so I don't necessarily see the Search
for Extraterrestrial Intelligence opposing Social Security, but behind me, the Republican estates with driveways winding high into the foothills
have me doubting one as much as the other. The sky started out as mist, the breath of water heading out after light- rain was just an afterthought, a little pity
after a fashion to keep us productive and in place. But it has yet to absolve a great indifference to our surroundings. Air is all we have to breathe; and the sky, [End Page 143]
which we turned into a metaphor, is immaterial, and we have let it down-all the clichés apply. Once, I could have explained exactly what I stood for. Now,
beyond radiance or repose, a man's not much more than a dream on the wind, spray spun up, self-conscious residue the sea pays out as it goes . . . . [End Page 144]
Christopher Buckley is the author of fourteen poetry books, including Sky and And the Sea (Sheep Meadow), and two books of nonfiction. He has received four Pushcart Prizes, two awards from the Poetry Society of America, a Fulbright fellowship, and two NEA grants. His fifteenth book, Modern History: Prose Poems 1987-2007, is forthcoming from Tupelo Press.