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In this Issue

Table of Contents

  1. Where He Went Under
  2. Richard Spilman
  3. pp. 5-14
  4. DOI: https://doi.org/10.1353/psg.2010.a408969
  5. restricted access
  1. The Body Apologizes for Almost Everything, and: The Wonders of Webcams, and: Trigger Happy
  2. Leslie Adrienne Miller
  3. pp. 15-19
  4. DOI: https://doi.org/10.1353/psg.2010.a408970
  5. restricted access
  1. Something Like the Attic, and: Teaching English in the Biology Lab, and: Scattering, and: Snickering Like the Pharisees
  2. Gary Fincke
  3. pp. 19-24
  4. DOI: https://doi.org/10.1353/psg.2010.a408971
  5. restricted access
  1. Fancy, and: Puberty, as Poem by Akhmatova, and: Velvet Revolution, and: Returning to West Berlin, 1987, and: Our Free Market Romance
  2. Jehanne Dubrow
  3. pp. 24-28
  4. DOI: https://doi.org/10.1353/psg.2010.a408972
  5. restricted access
  1. Words for the Fox, and: The Terms of My Conversion
  2. Robert Gibb
  3. pp. 29-30
  4. DOI: https://doi.org/10.1353/psg.2010.a408973
  5. restricted access
  1. What the River Carries
  2. Lisa Knopp
  3. pp. 31-43
  4. DOI: https://doi.org/10.1353/psg.2010.a408974
  5. restricted access
  1. Innocence
  2. Jed Myers
  3. pp. 44-45
  4. DOI: https://doi.org/10.1353/psg.2010.a408975
  5. restricted access
  1. At the Old Reservoir, and: Retreat
  2. Deborah Casillas
  3. pp. 45-47
  4. DOI: https://doi.org/10.1353/psg.2010.a408976
  5. restricted access
  1. Who Would Believe, and: German Helmet, and: Generations
  2. Claudia Burbank
  3. pp. 48-50
  4. DOI: https://doi.org/10.1353/psg.2010.a408977
  5. restricted access
  1. Idyllic, and: Avian, and: Concealment
  2. Robin Beth Schaer
  3. pp. 50-52
  4. DOI: https://doi.org/10.1353/psg.2010.a408978
  5. restricted access
  1. Persephone Lost, and: Bluebeard's Daughter
  2. Amy Riddell
  3. pp. 52-54
  4. DOI: https://doi.org/10.1353/psg.2010.a408979
  5. restricted access
  1. Red Berry, and: View from an Apartment
  2. J. Mae Barizo
  3. p. 55
  4. DOI: https://doi.org/10.1353/psg.2010.a408980
  5. restricted access
  1. Close to Home
  2. Michael Boccardo
  3. pp. 56-57
  4. DOI: https://doi.org/10.1353/psg.2010.a408981
  5. restricted access
  1. Old Enough
  2. Janet Abbott Dutton
  3. pp. 58-66
  4. DOI: https://doi.org/10.1353/psg.2010.a408982
  5. restricted access
  1. Testimony, and: Testimony
  2. Emma Bolden
  3. pp. 67-69
  4. DOI: https://doi.org/10.1353/psg.2010.a408983
  5. restricted access
  1. From The Slaughterhouse: The Automobile Plant, and: What would come, and: After she couldn't see we couldn't see her
  2. Katie Hubbard
  3. pp. 70-73
  4. DOI: https://doi.org/10.1353/psg.2010.a408984
  5. restricted access
  1. Yes, the Interval, and: Come His Turn
  2. Marie-Claire Bancquart, Christina Cook
  3. pp. 73-74
  4. DOI: https://doi.org/10.1353/psg.2010.a408985
  5. restricted access
  1. Diet Motivational Speaker Sleepwalks, and: At the Bank I Hand the Teller a Roll of Quarters, She Slips My Daughter a Roll of SweeTARTS and Might Tell Me I'm Overdrawn, and: The Corner Grocery Sells Lottery Tickets and Mackinac Fudge
  2. Daneen Wardrop
  3. pp. 74-77
  4. DOI: https://doi.org/10.1353/psg.2010.a408986
  5. restricted access
  1. Game of My Life
  2. Michael Cornett
  3. pp. 78-79
  4. DOI: https://doi.org/10.1353/psg.2010.a408987
  5. restricted access
  1. Something Pretty, Something Beautiful
  2. Eric Barnes
  3. pp. 80-96
  4. DOI: https://doi.org/10.1353/psg.2010.a408988
  5. restricted access
  1. Drisheen, and: Chokecherry
  2. Matthew Gavin Frank
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/psg.2010.a408989
  5. restricted access
  1. Hecuba's Song for Astyanax
  2. Julia Sophia Paegle
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/psg.2010.a408990
  5. restricted access
  1. Leah and Rachel Count Sheep, Count Breaths, and: Hagar and Sarai Pose for a 1980s Surrealistic Painting by Nancy Camden Witt, and: Esther and Vashti Discuss King Xerxes in a Rape Counseling Center
  2. Rebecca Lauren
  3. pp. 102-105
  4. DOI: https://doi.org/10.1353/psg.2010.a408991
  5. restricted access
  1. Diagnosis, and: Sotto Voce, and: Transposition
  2. Susanne Kort
  3. pp. 105-107
  4. DOI: https://doi.org/10.1353/psg.2010.a408992
  5. restricted access
  1. Widow, and: The Ghost, and: The Mother, and: Doubles
  2. Michael Hettich
  3. pp. 107-110
  4. DOI: https://doi.org/10.1353/psg.2010.a408993
  5. restricted access
  1. The Sea That Leads to All Seas
  2. Katie Chase
  3. pp. 111-127
  4. DOI: https://doi.org/10.1353/psg.2010.a408994
  5. restricted access
  1. Love, and: Gregarious
  2. Page Hill Starzinger
  3. pp. 128-130
  4. DOI: https://doi.org/10.1353/psg.2010.a408995
  5. restricted access
  1. Three poems
  2. Emily Carr
  3. pp. 130-131
  4. DOI: https://doi.org/10.1353/psg.2010.a408996
  5. restricted access
  1. Valerian, and: Song of the Entomologist, and: The Screen
  2. Elizabeth Tibbetts
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/psg.2010.a408997
  5. restricted access
  1. "Wind Shifts", and: In the Landscape You Paint with River Water, and: Ingredient, and: Landscape in the Style of Li Cheng, and: To One Who Is Missing
  2. Mark Sullivan
  3. pp. 134-141
  4. DOI: https://doi.org/10.1353/psg.2010.a408998
  5. restricted access
  1. Thomas at the Assumption
  2. K. A. Hays
  3. pp. 141-142
  4. DOI: https://doi.org/10.1353/psg.2010.a408999
  5. restricted access
  1. In Memory of Bill: An Open Heart
  2. Glenna Luschei
  3. pp. 143-154
  4. DOI: https://doi.org/10.1353/psg.2010.a409000
  5. restricted access
  1. Ledger of Crossroads (review)
  2. Robin Becker
  3. pp. 155-158
  4. DOI: https://doi.org/10.1353/psg.2010.a409001
  5. restricted access
  1. My Father's Tears and Other Stories, and: Endpoint and Other Poems (review)
  2. Peter Wolfe
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/psg.2010.a409002
  5. restricted access
  1. Mixology (review)
  2. Stephen C. Behrendt
  3. pp. 160-164
  4. DOI: https://doi.org/10.1353/psg.2010.a409003
  5. restricted access
  1. Fearless Confessions: A Writer's Guide to Memoir (review)
  2. Gaynell Gavin
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/psg.2010.a409004
  5. restricted access
  1. Carta Marina: A Poem in Three Parts (review)
  2. Claire Keyes
  3. pp. 166-169
  4. DOI: https://doi.org/10.1353/psg.2010.a409005
  5. restricted access
  1. Index
  3. pp. 175-178
  4. DOI: https://doi.org/10.1353/psg.2010.a409007
  5. restricted access
  1. Contributors
  3. pp. 170-174
  4. DOI: https://doi.org/10.1353/psg.2010.a409006
  5. restricted access