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Table of Contents

  1. Reply to Leonard Wilcox
  2. Bradley Butterfield
  3. DOI: https://doi.org/10.1353/pmc.2003.0029
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  1. Exiles on Main Stream: Valuing the Popularity of Postcolonial Literature
  2. Chris Bongie
  3. DOI: https://doi.org/10.1353/pmc.2003.0032
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  1. Postmodern Historiography: Politics and the Parallactic Method in Thomas Pynchon's Mason & Dixon
  2. Christy L. Burns
  3. DOI: https://doi.org/10.1353/pmc.2003.0033
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  1. Responsible Stupidity
  2. D. Diane Davis
  3. DOI: https://doi.org/10.1353/pmc.2003.0034
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  1. Materiality is the Message
  2. Del Doughty
  3. DOI: https://doi.org/10.1353/pmc.2003.0035
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  1. Constellation and Critique: Adorno's Constellation, Benjamin's Dialectical Image
  2. Steven Helmling
  3. DOI: https://doi.org/10.1353/pmc.2003.0036
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  1. The Speedy Citizen
  2. Valerie Karno
  3. DOI: https://doi.org/10.1353/pmc.2003.0037
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  1. Gullivers, Lilliputians, and the Root of Two Cultures
  2. Claudia Brodsky Lacour
  3. DOI: https://doi.org/10.1353/pmc.2003.0038
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  1. Notices
  2. DOI: https://doi.org/10.1353/pmc.2003.0039
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  1. Smart Bombs, Serial Killing, and the Rapture: The Vanishing Bodies of Imperial Apocalypticism
  2. Peter Yoonsuk Paik
  3. DOI: https://doi.org/10.1353/pmc.2003.0040
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  1. Theatres of Memory: The Politics and Poetics of Improvised Social Dancing in Queer Clubs
  2. Theresa Smalec
  3. DOI: https://doi.org/10.1353/pmc.2003.0041
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  1. Baudrillard, September 11, and the Haunting Abyss of Reversal
  2. Leonard Wilcox
  3. DOI: https://doi.org/10.1353/pmc.2003.0042
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  1. Notes on Contributors
  2. DOI: https://doi.org/10.1353/pmc.2003.0031
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