Abstract

At twenty-two, Julie Thi Underhill met her dying grandmother Thị Oai and began a portrait series in her mother's home village. Seven years later, she returned with her family to Phước Lập, a Hindu Chăm village in south central Viet Nam, where she photographed and filmed her grandmother's final ceremonies for her documentary Second Burial. Underhill offers these family portraits from 1999 and 2006 as an extended elegy for her grandmother.

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