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  • Contributors

Ta-wei Chi is assistant professor-in-residence in the Department of Modern and Classical Languages at the University of Connecticut. His work has appeared in Modern Chinese Literature and Culture and Chung-wai Literary Monthly. His collections of science fiction are published in China and Taiwan.

Ian Condry is associate professor in Foreign Languages and Literatures at the Massachusetts Institute of Technology. He is the author of Hip-Hop Japan: Rap and the Paths of Cultural Globalization (2006). He is currently writing a book called “Global Anime” about the making of Japanese animation. Web site: iancondry.com.

Guo-Juin Hong is assistant professor of Chinese literature and culture at Duke University. He is currently working on a book manuscript on post-1945 Taiwan cinema. Other forthcoming works include articles on Taiwan’s queer documentary, Healthy Realism between 1965 and 1980, and new Taiwan cinema in the 1980s.

Miyako Inoue teaches linguistic anthropology and Japan studies in the Department of Cultural and Social Anthropology at Stanford University. She is the author of Vicarious Language: Gender and Linguistic Modernity in Japan (2006).

Susie Jie Young Kim teaches at Duke University. She is working on a manuscript on turn-of-the-century Korean literature and print media as well as on a project on the city and memory in Korean cinema.

Shu Kuge is a cartoonist/illustrator who works in San Francisco and Tokyo. He is currently working on three graphic novels, “Young Bartleby at the Dead Letter Office,” “Sleepers,” and “TADA and DADA.”

Bruce Suttmeier is an assistant professor of Japanese literature at Lewis and Clark College in Portland, Oregon. He is currently working on a manuscript exploring visuality and memory in 1960s Japan.

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