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Volume 20, Number 4, Fall 2012

Table of Contents

Editor’s Introduction

pp. 947-952

The Palimpsest Body and the S(h)ifting Border: On Maggie Cheung’s Two Crossover Films

pp. 953-981

The Suppressed in the Modern Urbanscape: Cultural Difference and Film in Singapore

pp. 983-1007

A Unique Tradition of Materialism in Japan: Osugi Sakae, Tosaka Jun, and Uno Kozo

pp. 1009-1039

Oriental Purity: Postcolonial Discomfort and Asian Values

pp. 1041-1066

The Modern Girl and the Vamp: Hollywood Film in Tanizaki Jun’ichirô’s Early Novels

pp. 1067-1093

The Horrific and the Exemplary: Public Stories and Education Reform in Late Socialist China

pp. 1095-1125

The Avant-Garde Is Dead, Long Live the (Pop) Avant-Garde! Critical Reconfigurations in Contemporary Chinese Theatre

pp. 1127-1157

Imagining Irreconcilability: Cultural Differentiation through Human-Animal Relations in Late Qing Shanghai

pp. 1159-1189

Strange Nuptials: Matthew Barney’s Japan in Drawing Restraint 9

pp. 1191-1213

Contributors

pp. 1215-1216

Research Areas

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