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  • Motherhood According to KristevaOn Time and Matter in Plato and Kristeva
  • Fanny Söderbäck

The state of the maternal has been disputed among feminists for quite some time. Julia Kristeva, whose work will be my focus of attention here, has been criticized for her emphasis on the maternal, particularly with regards to her alleged equation of maternity with femininity. Critics have suggested that such equation risks reducing woman to the biological function of motherhood. Judith Butler, to give an example to which I will return at length, speaks of a “compulsory obligation on women’s bodies to reproduce” (Butler 1999, 115; I will refer to this text as GT for the remainder of this essay). Kristeva herself has noted that “it seems . . . difficult to speak today of maternity without being accused of normativism, read: of regression” (Kristeva 2003, 207).

I will argue that Kristeva by no means reduces woman to the function of motherhood. Rather, she returns to the maternal body at least in part to free woman from this very reduction. By bringing the mother out of the shadows, she provides women with a past (a genealogy of their own, a community of women, a history hitherto repressed) and, simultaneously, with a future (in the sense of liberating them from predefined roles and positions—from motherhood as the only form of subjectivity available to them). It is exactly the future that is at stake when Kristeva speaks of the maternal, and more specifically, it is the possibility of temporal change that depends on it. The maternal body to which she urges us to return must, as I see it, be understood qua temporalization : that to which we return is temporal, moving, displacing, renewing. The return is neither nostalgic nor aimed at preserving some essential notion of motherhood—it makes possible [End Page 65] new beginnings, allowing for a future pregnant with change and transformation. Butler ends her critique of Kristeva with the following remark—one that is meant to describe what would happen if we stopped focusing on the mother in the way Kristeva has done hitherto: “The culturally constructed body will then be liberated, neither to its ‘natural’ past, nor to its original pleasures, but to an open future of cultural possibilities” (GT, 119). I will attempt to show that these words in fact capture Kristeva’s own project, that such “open future” is exactly what she is aiming at through her continuous return to the maternal body.

The implication of this retrieval of the maternal is twofold: First, it situates Kristeva within a materialist tradition and allows her to articulate and inscribe a morphological-phenomenological legacy of embodiment contra merely constructionist or discursive narratives.1 Second, it gives her ground to rearticulate time as inseparable from space and thus to challenge and overcome the deep-rooted tradition that divides time and space alongside a mind-body dualism. Surprisingly, perhaps, she establishes this ground by returning to a thinker who for many feminist scholars is the example par excellence of the very dualism that is put into question: Plato. This essay aims at carefully tracing Kristeva’s engagement with Plato, and I will argue that the breakdown of the distinction between time and space is to be found at the core of his writing. If, as I will argue here, the maternal body to which Kristeva returns must be understood not only as corporeal but also as a temporal principle, then we are forced to think through the intimate relation between temporality and materiality in ways that will come to challenge and renew the very materialist tradition that Kristeva herself most often is understood to represent.

Kristeva’s earliest thematization of the maternal appears in her doctoral dissertation, Revolution in Poetic Language. It is here that she first articulates her notion of the semiotic chora, associating it with the maternal body and early heterogeneous drives.2 Kristeva herself picks up the Greek term chora from Plato’s Timaeus; a dialogue that more than anything deals with the question of beginnings, as it narrates the story of how the cosmos and its living creatures were created. I will turn both to the Platonic text and to...

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