Disaffiliations: Beauvoir and Gorz on Masculinity as Aging

The same drama of flesh and spirit, and of finitude and transcendence, plays itself out in both sexes; both are eaten away by time, stalked by death.

The Second Sex, 763

Simone de Beauvoir wrote her second large theoretical work in 1970, La Vieillesse (V), some nine years after André Gorz published a two-part article, “Le Vieillissement,” in Les Temps Modernes, in 1961 and 1962. These were essays in which Gorz did not hesitate to refer to the “conflict between generations.” He found unremarkable the constant transitions involved in what he saw as a combat between younger and older age groups, unremarkable that the young would resent the domination of the aged and find themselves resented in turn. The aged would bear heavily on the young, but eventually find themselves demeaned if not subordinated by them.

Since Gorz was one of the many references in La Vieillesse, Beauvoir was using resources that could have prompted her to think of youth and aging as a further domain of group-based conflict and hostility. Instead, she preferred a different language. Stories that might have seemed to be those of inter-generational conflict were present in her work—she mentions a story from the Brothers Grimm of three generations: son, father, and grandfather. The father treats the grandfather abusively until he learns that his son accordingly anticipates repeating the same treatment toward him. But Beauvoir does not narrate the story as one of conflict between groups who should be understood as “generations.”¹ For Gorz, by contrast, such relations seem inevitable. He writes of young men frustrated by their disenfranchisement by older men, who are in turn disenfranchised as young men eventually manage to usurp them.

Just as the language of group-based conflict seems to Gorz obvious to describe such relations, so does the tacit (though not overtly noted) masculinity of their experience. But because he does not directly note that the conflict, on his own account, occurs between the younger and older generations of males, it is not clear how a vision of generational conflict might be inflected by a sense that such relations are also those of sexual difference. How might that affect relations between the sexes or relations among women of different ages?

For her part, Beauvoir did refer to tensions between younger and older women, both in The Second Sex (SS) and Old Age(OA), but these were largely references to relations between mothers and daughters. They were familial stories. Certainly, they were refracted through structure and social context: It is the impoverished status and history of women that, in Beauvoir’s view, inhibits their lives to the point that mothers and daughters resent each other. But describing such tensions, Beauvoir does not present them as competition between groups. Her visions are those of individual experiences occurring in family contexts, not those of a generation of women of a particular age group, understanding each other as engaged in some kind of potentially conflictual group relations with a group of women understood as generationally younger or older. This is not to say that Beauvoir ought to have preferred the language of generational conflict in considering aging. But in understanding that she turned away, without saying so, from a model that might well have seemed most plausible, we can think further about the interpretation that did seem more plausible to her.

How, then, do aging and sex interact for Beauvoir? Her presentation of aging in The Second Sex is characteristically ambivalent. She describes middle-aged women who have bet on the norms of femininity—“She has counted on her sexual attributes far more than man has” (SS, 620)—only to be confronted with the dilemmas of the transformation brought by time. Beauvoir takes this transformation to be largely negative—comprehended in terms of loss rather than possible gain. She describes the physical transformation of aging in terms of degeneration and the passing of youth, beauty, health, innovation, capacity. She also claims, albeit with an important exception, that it is experienced by the woman negatively, with accompanying effects of shock, discontinuity, crisis, anxious concern, denial...