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In this Issue

Table of Contents

  1. Editor’s Column
  2. Derek Parker Royal
  3. pp. 119-120
  4. restricted access
  1. Framing the Cusp of Celebrity: Bob Peterson’s 1968 Photographs of Philip Roth
  2. Derek Parker Royal
  3. pp. 121-144
  4. DOI: https://doi.org/10.1353/prs.2011.a469164
  5. restricted access
  1. Contemporary American Fiction and the Confluence of Don DeLillo, Cormac McCarthy, Toni Morrison, Philip Roth, and John Updike: A Roundtable Discussion
  2. Derek Parker Royal, Amanda Siegfried
  3. pp. 145-169
  4. DOI: https://doi.org/10.1353/prs.2011.a469163
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  1. Arthur Koestler and Meyer Levin: The Trivial, the Tragic, and Rationalization Post Factum in Roth’s “Eli, the Fanatic”
  2. James Duban
  3. pp. 171-186
  4. DOI: https://doi.org/10.1353/prs.2011.a469162
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  1. The Sense of an Ending: Alternative History in Philip Roth’s The Plot Against America
  2. Ginevra Geraci
  3. pp. 187-204
  4. DOI: https://doi.org/10.1353/prs.2011.a469161
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  1. Putting a Finger on That Hollow Emptiness in Roth’s Indignation
  2. Frederick Luis Aldama
  3. pp. 205-217
  4. DOI: https://doi.org/10.1353/prs.2011.a469160
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  1. Philip Roth’s Postmodern American Romance: Critical Essays on Selected Works (review)
  2. Nigel Rodenhurst
  3. pp. 219-220
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  1. Saul Bellow: Letters (review)
  2. Gloria L. Cronin
  3. pp. 221-223
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  1. Contemporary American Fiction (review)
  2. Maggie McKinley
  3. pp. 224-226
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  1. The Global Remapping of American Literature (review)
  2. James D. Bloom
  3. pp. 226-229
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  1. The American Novel Now: Reading Contemporary American Fiction Since 1980 (review)
  2. Christopher Gonzalez
  3. pp. 229-232
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  1. Annual Bibliography of Philip Roth Criticism and Resources—2010
  2. Derek Parker Royal
  3. pp. 233-240
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  1. Contributors
  3. pp. 241-243
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