PAJ: A Journal of Performance and Art
Volume 31, Number 3, September 2009 (PAJ 93)
Previous Issue E-ISSN: 1537-9477 Print ISSN: 1520-281X
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The Legacy of Maria Irene Fornes: A Collection of Impressions and Exercises
pp. 1-32
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Notes from Taxco, Mexico Workshop, 1998pp. 6-7Subject Headings:
Intar Lab, New York City, November 1984pp. 7-14Subject Headings:
Memory from Padua Hills Playwrights Conference, California, 1983pp. 14-15Subject Headings:
Notes from California State University at Northridge, 1989 and Morepp. 15-16Subject Headings:
Notes from Padua Hills Playwrights Conference, California, 1989 and Morepp. 17-20Subject Headings:
Mark Taper Forum Theatre, Los Angeles, California, 1990–91pp. 20-22Subject Headings:
Thoughts from Los Angeles, 1992 or 1993pp. 22-23Subject Headings:
Notes from IOWA 1993–94pp. 23-25Subject Headings:
Intar Lab, New York City, 1986–87pp. 25-28Subject Headings:
Intar Lab, New York City, 1986pp. 29-30Subject Headings:
Transmission Arts
Transmission Arts: The Air that Surrounds Us
pp. 33-40
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Deep Cycle: The Reincarnation of Herman Meydag
pp. 44-45
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Transmission Art in the Present Tense
pp. 46-49
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Towards a Programmable Transmission Arts Platform
pp. 50-52
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Instructions for Listening to Radio
pp. 55-56
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Ryoanji: Solos for Oboe, Flute, Contrabass, Voice, Trombone with Percussion or Orchestral Obbligato (1983–85)
pp. 57-64
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Art & Performance Notes
Jan Fabre’s Crusade Against Shopping Culture
pp. 65-73
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American Voices: Robert Ashley and New Opera
pp. 74-82
Echoes of Strindberg in Contemporary Chile
pp. 83-91
Are We Human, or Are We Dancer?
pp. 92-97
Their Hands Full of Ghosts: Goat Island at the Last
pp. 98-107
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Staging the Image: Video in Contemporary Performance
pp. 108-119
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