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In this Issue

Table of Contents

  1. A Note from the Publisher of Opera Quarterly
  3. p. 1
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  1. Monostatos and His "Sister": Racial Stereotype in Die Zauberflote and Its Sequel
  2. Malcolm S. Cole
  3. pp. 2-26
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  1. Stage-Irish, or the National in Irish Opera, 1780-1925
  2. Axel Klein
  3. pp. 27-67
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  1. Verdi Onstage in the United States: I due Foscari
  2. George Whitney Martin
  3. pp. 68-92
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  1. Les diamants de la couronne and the "Dea Abscondita" Motif
  2. Rodney Stenning Edgecombe
  3. pp. 93-108
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  1. Verdi, Politics, and "Va, pensiero": The Scholars Squabble
  2. George Whitney Martin
  3. pp. 109-132
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  1. Solomon Markovich Khromchenko: Bolshoi Tenor and Pedagogue
  2. Solomon Khromchenko, Nadia Sikorsky
  3. pp. 133-181
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  1. Opera in Theory and Practice, Image and Myth (review)
  2. Christopher Hatch
  3. pp. 182-186
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  1. The Cambridge Companion to Grand Opera (review)
  2. Lesley Alison Wright
  3. pp. 186-189
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  1. The Diaries of Giacomo Meyerbeer: The Last Years 1857-1864 (review)
  2. Thomas G. Kaufman
  3. pp. 189-191
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  1. Opera--The Art of Dying, and: Death-Devoted Heart: Sex and the Sacred in Wagner's "Tristan and Isolde" (review)
  2. John Louis DiGaetani
  3. pp. 192-193
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  1. Airs d'operas francais (review)
  2. Nicholas E. Limansky
  3. pp. 195-205
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  1. Cavalleria rusticana (review)
  2. Robert Baxter
  3. pp. 205-207
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  1. Correspondence
  2. Doug Fox, Diana Mastroni, Tony Julian, Harry Sillen, Harry M. Erbland
  3. pp. 211-212
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  1. Errata
  3. p. 214
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  1. Books Received
  3. p. 194
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  1. Recordings Received
  3. pp. 207-210
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  1. Contributors to This Issue
  3. p. 213
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