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Volume 28, Number 1-2, Winter-Spring 2012

Table of Contents

A Note from the Guest Editor

pp. 1-4

“The Monstrous Rights of the Present”: Goethe and the Humanity of Die Zauberflöte

pp. 5-19

Live Marionettes and Divas on the Strings: Die Zauberflöte’s Interactions with Puppet Theater

pp. 20-36

(De)Translating Mozart: The Magic Flute in 1909 Paris

pp. 37-53

“So Take This Magic Flute and Blow. It Will Protect Us As We Go”: Impempe Yomlingo (2007–11) and South Africa’s Ongoing Transition

pp. 54-71

Papageno Redux: Repetition and the Rewriting of Character in Sequels to Die Zauberflöte

pp. 72-87

Who Were the Drei Knaben?

pp. 88-103

Auditions

An Introduction to Joachim Perinet’s “Mozart and Schikaneder: A Theatrical Dialogue”

pp. 104-107

Mozart und Schikaneder, Ein theatralisches Gespräch über die Aufführung der Zauberflöte im Stadt-Theater

pp. 108-121

Mozart and Schikaneder, A Theatrical Dialogue on the Performance of Die Zauberflöte at the Stadt-Theater

pp. 109-121

Anybody’s Opera: An Introduction to Michel Leiris

pp. 122-123

Five Excerpts from Operratics

pp. 124-127

Research Areas

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