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Volume 26, Number 1, Winter 2010

Table of Contents

Mediating Opera

Guest Editor: Melina Esse

A Note from the Guest Editor

pp. 1-3

Sarrasine's Failure, Campaspe's Lament: Solo Song and the Ends of Material Reproduction

pp. 4-41

Temporary Floods, Eternal Returns: Opera, Technology, and History in Two Films of Alexander Sokurov

pp. 42-62

Porn Style?: Space and Time in Live Opera Videos

pp. 63-80

Don't Look Now: Opera, Liveness, and the Televisual

pp. 81-95

Digital Diva: Opera on Video

pp. 96-119

Notes from the Stage

Boris Godunov at the Interstices of Opera and Film

pp. 120-121

Lighting Boris Godunov with Andrei Tarkovsky

pp. 122-128

Reviews

Performance

The Stuttgart Ring on DVD: A Review Portfolio

pp. 129-130

Everyday Totalitarianism: Reflections on the Stuttgart Ring

pp. 131-148

The Stuttgart Ring

pp. 149-151

Stuttgart Opera's Der Ring Des Nibelungen on DVD

pp. 152-166

Modest Musorgsky: Boris Godunov

pp. 167-174

Scholarship

The Total Work of Art: From Bayreuth to Cyberspace (review)

pp. 175-177

Research Areas

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